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Tote Bag : Life of Christ, Ascension, preparatory study of tapestry cartoon for the Church Saint-Merri
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Life of Christ, Ascension, preparatory study of tapestry cartoon for the Church Saint-Merri
XIR383176 Life of Christ, Ascension, preparatory study of tapestry cartoon for the Church Saint-Merri in Paris, c.1585-90 (pierre noire & wash & white highlights on paper) by Lerambert, Henri (1550-1609); Bibliotheque Nationale, Paris, France; (add.info.: Histoire du Christ; dessin preparatoire pour carton de tapisserie, eglise St Merri; lavis, rehauts blancs; b/w photo; A. G. phot; Adolphe Giraudon c.1899; ); French, out of copyright
Media ID 12870854
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Apostles Ascending Disciple Disciples Footprint Footprints Rising Vision Winged Apostle
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This photograph captures a momentous scene from the "Life of Christ" series, specifically depicting the Ascension. Created as a preparatory study for a tapestry cartoon destined for the Church Saint-Merri in Paris, this artwork was crafted by Henri Lerambert between 1585 and 1590. In this image, we witness Jesus ascending to heaven while surrounded by his disciples. The disciples gaze up at their beloved teacher with awe and wonder, their faces filled with both joy and sadness at his departure. Above them, angelic figures with wings gracefully hover in the sky, adding an ethereal touch to the composition. The central figure of Mary, known as Madonna or Virgin Mary, stands out amidst the crowd of followers. Her expression reflects a mix of pride and sorrow as she watches her son ascend into glory. Lerambert's skillful use of pierre noire (black stone), washes, and white highlights on paper brings depth and dimension to this stunning drawing. Every detail is meticulously captured - from the intricate footprints left behind by Jesus to the delicate features of each disciple. This Renaissance-era artwork showcases Lerambert's mastery in capturing religious narratives through his sketches. Its timeless beauty continues to captivate viewers even centuries after its creation.
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