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Tote Bag : Bust of Christ - oil on canvas, 1532-1534
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Bust of Christ - oil on canvas, 1532-1534
LRI4574791 Bust of Christ - oil on canvas, 1532-1534 by Titian (Tiziano Vecellio) (c.1488-1576); 78x55 cm; Palazzo Pitti, Florence, Italy; Luisa Ricciarini; Italian, out of copyright
Media ID 22288722
© Luisa Ricciarini / Bridgeman Images
Venetian Art Aureole Cinquecento
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This print showcases the exquisite "Bust of Christ" painted by the renowned artist Titian (Tiziano Vecellio) during the years 1532-1534. The oil on canvas masterpiece, measuring 78x55 cm, is housed in the prestigious Palazzo Pitti in Florence, Italy. Capturing the essence of Renaissance art, this portrait radiates a sense of divine serenity and spiritual depth. The artist Luisa Ricciarini skillfully captures every intricate detail of this iconic artwork through her lens. The aureole surrounding Christ's head adds an ethereal touch to his majestic presence. With a profound understanding of light and shadow, Titian breathes life into this biblical character from centuries past. As we gaze upon this image, we are transported back to the vibrant Cinquecento period when Italian art flourished under great masters like Titian. This painting serves as a testament to their immense talent and unwavering devotion to religious themes. The Bust of Christ holds significant importance for those who find solace in their faith. It reminds us of Jesus' teachings and offers comfort during challenging times. Its inclusion in numerous biblical narratives further solidifies its place among other revered works within Christian iconography. Luisa Ricciarini's photographic tribute not only preserves this timeless piece but also allows us to appreciate it anew with its remarkable clarity and attention to detail. Through her lens, she invites us into a world where beauty intertwines with spirituality – a
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