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Tote Bag : Frontispiece to Little Dorrit by Charles Dickens, 1857 (engraving)
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Frontispiece to Little Dorrit by Charles Dickens, 1857 (engraving)
XJF394268 Frontispiece to Little Dorrit by Charles Dickens, 1857 (engraving) by Browne, Hablot Knight (Phiz) (1815-92); Private Collection; (add.info.: Charles Dickens (1812-70); ); English, out of copyright
Media ID 12872759
© www.bridgemanart.com
Debtors Prison Gate Marshalsea Title Page
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Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
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EDITORS COMMENTS
The captivating frontispiece to Charles Dickens' Little Dorrit, created in 1857 by the talented engraver Browne (also known as Phiz), transports viewers into the heart of Victorian England. This remarkable print, now part of a private collection, encapsulates the essence of this beloved novel and its unforgettable characters. As we gaze upon this intricate artwork, our eyes are immediately drawn to the title page featuring Amy Dorrit herself. With her delicate features and pensive expression, she becomes a symbol of hope amidst the harsh realities depicted within these pages. Intriguingly, behind Amy stands an imposing entrance gate that serves as a visual metaphor for Marshalsea - the infamous debtors' prison where much of the story unfolds. The gate's iron bars represent not only physical confinement but also societal constraints that trap individuals within their circumstances. Through masterful use of light and shadow, Browne skillfully captures both despair and resilience in his depiction of this pivotal location. We can almost feel the weightiness of Marshalsea's history emanating from every stroke. This engraving invites us to delve deeper into Dickens' world; it beckons us to explore themes such as social inequality and personal redemption that remain relevant even today. It is a testament to both Dickens' literary genius and Browne's artistic prowess that this image continues to captivate audiences over a century later. With each viewing, we discover new layers within this evocative frontispiece - an enduring reminder that great art
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