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Tote Bag : Window depicting Jacques de Bourbon (1315-61) Comte de la Marche

Window depicting Jacques de Bourbon (1315-61) Comte de la Marche



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Window depicting Jacques de Bourbon (1315-61) Comte de la Marche

XIR223621 Window depicting Jacques de Bourbon (1315-61) Comte de la Marche, Jeanne de Chatillon-Saint-Pol (d.1371) Jean I de Bourbon (1361-94) and Catherine, Comtesse de Vendome (stained glass) by French School, (16th century); Sainte-Chapelle, Champigny-sur-Veude, France; French, out of copyright

Media ID 23352702

© Bridgeman Images

At Prayer Count Countess Ermine


Canvas Tote Bag

Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

Our tote bags are made from soft durable fabric and include a strap for easy carrying

Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")

These are individually made so all sizes are approximate


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EDITORS COMMENTS
This print showcases a magnificent stained glass window, depicting the noble figures of Jacques de Bourbon (1315-61), Comte de la Marche, Jeanne de Chatillon-Saint-Pol (d. 1371), and Jean I de Bourbon (1361-94) alongside Catherine, Comtesse de Vendome. The artwork, created by an anonymous French School artist in the 16th century, can be found within the enchanting Sainte-Chapelle in Champigny-sur-Veude, France. In this image, we witness a moment frozen in time as Jacques and his wife Jeanne kneel together in prayer. Their regal presence is emphasized by their exquisite attire adorned with coats of arms and crowns. The intricate details of their garments reflect the opulence and refinement associated with Renaissance aristocracy. The couple's expressions convey deep devotion and reverence as they engage in this sacred act of worship. The window also captures the countess' elegance through her graceful posture and serene demeanor. Meanwhile, Jean I stands beside them with an air of authority befitting his status as a prominent figure during that era. Notably present are symbols representing power and prestige such as ermine fur trimmings on their clothing – a signifier of nobility at that time. This remarkable piece transports us back to an era when aristocrats held immense influence over society. It serves as both a historical artifact and a testament to the artistic mastery prevalent during the Renaissance period. (Note

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