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Tote Bag : Act II, scene X: the courtyard of the King of Naxos (oil on canvas)

Act II, scene X: the courtyard of the King of Naxos (oil on canvas)



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Act II, scene X: the courtyard of the King of Naxos (oil on canvas)

XOT359132 Act II, scene X: the courtyard of the King of Naxos (oil on canvas) by Torelli, Giacomo (1608-78); Pinoteca Civica di Fano, Fano, Italy; (add.info.: Jupiter appears through the gap in the clouds; from a selection of set design paintings for the opera Jealous Venus by Niccolo Enea Bartolini, performed in the Teatro Novissimo in Venice in 1643; ); Italian, out of copyright

Media ID 12865119

© www.bridgemanart.com

Colonnade Illusion Magnificent Mythical Perspective Theatrical


Canvas Tote Bag

Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

Our tote bags are made from soft durable fabric and include a strap for easy carrying

Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")

These are individually made so all sizes are approximate


EDITORS COMMENTS
The captivating print titled "Act II, scene X: the courtyard of the King of Naxos" transports viewers to a world of grandeur and enchantment. Painted by Giacomo Torelli in oil on canvas, this masterpiece is housed in the Pinoteca Civica di Fano, Italy. In this scene from the opera Jealous Venus by Niccolo Enea Bartolini, we witness a momentous event unfolding in an ethereal setting. The sun shines brilliantly overhead as Jupiter himself emerges through a gap in the clouds, casting his divine presence upon the courtyard below. The composition is nothing short of magnificent; with its mythical elements and meticulously rendered details, it draws us into a realm where reality intertwines seamlessly with illusion. A majestic colonnade stretches into the distance, creating a sense of depth and perspective that adds to the theatricality of this stage design. As our gaze wanders across the image, we can almost hear hushed whispers and feel anticipation building among actors waiting for their cue. This painting captures not only a specific moment within Act II but also embodies the essence of theater itself – performance art at its finest. With its rich symbolism and masterful execution, Torelli's work invites us to immerse ourselves in an extraordinary world where gods walk amongst mortals. It serves as a testament to both artistic skill and human imagination – reminding us that even centuries later, great works like these continue to inspire awe and wonder.

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