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Tote Bag : A Skin Lodge of an Assiniboin Chief, plate 16 from Volume 1 of

A Skin Lodge of an Assiniboin Chief, plate 16 from Volume 1 of



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A Skin Lodge of an Assiniboin Chief, plate 16 from Volume 1 of

STC101375 A Skin Lodge of an Assiniboin Chief, plate 16 from Volume 1 of Travels in the Interior of North America, engraved by Friedrich Salathe (1793-1858) and J. Hurlimann, 1843 (aquatint) by Bodmer, Karl (1809-93) (after); Private Collection; The Stapleton Collection; Swiss, out of copyright

Media ID 22782522

© The Stapleton Collection / Bridgeman Images

Assiniboine Encampment Native American Indian Teepee Tepee Tipi Tribe Wigwam


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EDITORS COMMENTS
This print titled "A Skin Lodge of an Assiniboin Chief" transports us back in time to the vibrant and rich culture of the Assiniboin tribe in North America. Plate 16 from Volume 1 of "Travels in the Interior of North America" this artwork was skillfully engraved by Friedrich Salathe and J. Hurlimann, under the creative vision of Karl Bodmer. The image showcases a remarkable encampment scene, where we witness an Assiniboin Chief's skin lodge standing proudly amidst a picturesque village. The teepee, or tipi as it is commonly known, takes center stage with its elegant structure and intricate details. Its conical shape symbolizes unity and harmony within the tribe. As our eyes wander through this mesmerizing composition, we are transported into a world filled with history and tradition. The camp surrounding the chief's lodge reveals glimpses into daily life - families gathering around fires, children playing joyfully, and elders sharing stories that have been passed down for generations. Bodmer's attention to detail brings every element to life; from the texture of animal skins used for construction to delicate patterns adorning each teepee. This artwork serves as a testament to both Bodmer's artistic talent and his deep respect for Native American culture. Through this photo print, we are reminded of the beauty found within diversity and cultural heritage. It invites us to appreciate not only the physical structures but also their symbolic significance within indigenous communities across North

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