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Adam and Eve, illustration from the Liber Chronicarum
REV326697 Adam and Eve, illustration from the Liber Chronicarum by Hartmann Schedel (1440-1514) published in Nuremberg, 1493 (woodcut) by Wolgemuth, Michael (1434-1519) & Pleydenwurff, W. (d.1494); Private Collection; (add.info.: Cronicarum; Nurnberg Chronicle; apprentice Albrecht Durer (1471-1521); Wolgemut; ); German, out of copyright
Media ID 22946652
© Bridgeman Images
Adam Apple Banished Creation Expelled Expulsion Fall Of Man Fallen First Man And Woman Forbidden Garden Of Eden Gate Gates Genesis Lost Original Sin Paradise Sinner Sinners Temptation Tempting Tree Of Knowledge Punishment Serpent Snakes
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This print showcases the iconic biblical scene of Adam and Eve, as illustrated by Hartmann Schedel in his renowned work, Liber Chronicarum. Published in Nuremberg in 1493, this woodcut masterpiece is a testament to the artistic brilliance of Michael Wolgemuth and W. Pleydenwurff. The image depicts the pivotal moment when Adam and Eve are expelled from the Garden of Eden after succumbing to temptation. The intricate details capture their anguish as they stand before an angelic figure guarding the gate that leads them out into a world forever changed. The forbidden fruit, held delicately by Eve, symbolizes humanity's fall from grace due to their disobedience. The serpent slithers nearby, its presence serving as a reminder of deceit and manipulation. As we gaze upon this artwork, we are reminded of the profound consequences that accompany human frailty and our inherent capacity for both good and evil. It serves as a powerful representation of original sin and highlights mankind's eternal struggle with morality. Beyond its religious significance, this illustration also offers insights into botany and natural history through its depiction of various plants surrounding Adam and Eve. Additionally, it portrays wildlife such as snakes with remarkable accuracy—a testament to Schedel's attention to detail. Intriguingly complex yet undeniably beautiful, this timeless piece continues to captivate viewers centuries after its creation.
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