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Tote Bag : Beech, Godshill Church behind. Fr. Appledurcombe. July 25, c. 1860s (pencil on paper)

Name: Tote Bag of Beech, Godshill Church behind. Fr. Appledurcombe. July 25, c. 1860s (pencil on paper)
Brand: Media Storehouse
SKU: 12880888
Price: 29.99 GBP
Availability: InStock

£24.99

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Beech, Godshill Church behind. Fr. Appledurcombe. July 25, c. 1860s (pencil on paper)

XJF437950 Beech, Godshill Church behind. Fr. Appledurcombe. July 25, c.1860s (pencil on paper) by Manley Hopkins, Gerard (1844-1889); Private Collection; (add.info.: This sketch shows the parish church in Godshill, on the Isle of Wight, as seen from Appuldurcombe House; As a young man Hopkins spent summer holidays with his family four miles from Godshill in Shanklin and it is probable that this sketch was made during such a stay; ); English, out of copyright

Media ID 12880888

Naturalist Roots Nature Study

Canvas Tote Bag

Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

Our tote bags are made from soft durable fabric and include a strap for easy carrying

Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")

These are individually made so all sizes are approximate

EDITORS COMMENTS
This pencil sketch by Gerard Manley Hopkins transports us back to the serene countryside of Godshill, on the picturesque Isle of Wight. Dated around the 1860s, it showcases a magnificent beech tree standing tall and proud, with the charming Godshill Church peeking through its branches in the background. The artist's attention to detail is evident as he delicately captures every intricate line and texture of both nature and architecture. The tree's roots are skillfully depicted, intertwining with the earth below, symbolizing strength and resilience. The church behind exudes an air of tranquility against a backdrop of lush greenery. Hopkins himself had a personal connection to this idyllic location. Spending his summer holidays just four miles away in Shanklin, it is likely that he created this sketch during one such visit. His love for nature shines through in this piece as he immerses himself in botanical study and landscape observation. As we gaze upon this artwork, we are transported into Hopkins' world - a world where art meets nature seamlessly. It serves as a reminder to appreciate the beauty that surrounds us and encourages us to take a moment to pause amidst our busy lives and immerse ourselves in the serenity of our natural surroundings.

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