Tote Bag > Fine Art Finder > Artists > (fl.c.1483-c.1529) Master of Moulins
Tote Bag : The Virgin and Child Adored by Angels (oil on panel)
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The Virgin and Child Adored by Angels (oil on panel)
XIR200038 The Virgin and Child Adored by Angels (oil on panel) by Master of Moulins (Jean Hey), (fl.c.1483-c.1529); 38.5x29.5 cm; Musees Royaux des Beaux-Arts de Belgique, Brussels, Belgium; (add.info.: Vierge a l Enfant Adore par les Anges; ); French, out of copyright
Media ID 12753387
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Adoration Northern Renaissance
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
These are individually made so all sizes are approximate
The Virgin and Child Adored by Angels
EDITORS COMMENTS
is a captivating oil painting that showcases the exquisite talent of the Master of Moulins, also known as Jean Hey. This Northern Renaissance masterpiece measures 38.5x29.5 cm and can be found in the Musees Royaux des Beaux-Arts de Belgique in Brussels, Belgium. In this enchanting scene, we witness the tender bond between Mary, the Virgin Mother, and her divine infant son, Jesus Christ. They are surrounded by a celestial symphony of angels who gaze upon them with adoration and reverence. The artist's meticulous attention to detail is evident in every brushstroke, capturing not only their physical beauty but also their spiritual significance. The composition exudes a sense of tranquility and serenity as Mary gently cradles baby Jesus in her arms while looking down at him with maternal affection. The angels' delicate wings seem to flutter softly as they kneel or hover around this sacred moment. This artwork exemplifies the religious devotion prevalent during the Renaissance period through its depiction of prayer and adoration. It invites viewers to reflect on their own spirituality and contemplate the profound love shared between mother and child. As we admire "The Virgin and Child Adored by Angels" we are transported back in time to an era where art was used as a medium for expressing faith, awe, and wonderment. Its timeless beauty continues to captivate audiences today, reminding us of our connection to something greater than ourselves.
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