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Tote Bag : St. Felix, c. 1550 (oil on panel)

St. Felix, c. 1550 (oil on panel)



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St. Felix, c. 1550 (oil on panel)

BAL211882 St. Felix, c.1550 (oil on panel) by Fasolo, Giovanni Antonio (c.1530-72); Cattedrale di Santa Maria Nascente, Verona, Italy; (add.info.: painting originally integral part of an organ; ); Italian, out of copyright

Media ID 24129988

© Bridgeman Images

Pennant Rearing Horse


Canvas Tote Bag

Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

Our tote bags are made from soft durable fabric and include a strap for easy carrying

Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")

These are individually made so all sizes are approximate


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> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Giovanni Antonio Fasolo

> Fine Art Finder > Saints

> Arts > Artists > F > Giovanni Antonio Fasolo

> Europe > Italy > Paintings

> Europe > Italy > Veneto > Verona

> Europe > Italy > Verona


EDITORS COMMENTS
This print showcases the exquisite artwork of "St. Felix" by Giovanni Antonio Fasolo, created around 1550 in Verona, Italy. Painted with meticulous detail and skillful use of oil on panel, this masterpiece was originally an integral part of an organ. The image captures a moment frozen in time, depicting a scene filled with action and symbolism. A gallant soldier clad in armor sits atop a majestic horse, their figures exuding strength and determination. The flag they carry proudly flutters in the wind as they ride fearlessly into battle. The equestrian theme is further emphasized by the rearing horse beneath them, its powerful stance adding to the intensity of the composition. St. Felix himself is portrayed as a warrior martyr, his presence evoking both reverence and awe. Displayed within the Cattedrale di Santa Maria Nascente in Verona, this painting serves as a testament to Fasolo's artistic prowess and ability to capture emotion through brushstrokes. Its historical significance lies not only in its religious subject matter but also in its connection to music through its original placement on an organ. As we admire this remarkable piece of art captured by Bridgeman Images' lens, we are transported back to Renaissance Italy - a time when faith intertwined with warfare and beauty merged seamlessly with devotion.

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