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Tote Bag : Plate 688. Fallow Deer; Buck and Group of Does; Galloping, 1885 (collotype on paper)
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Plate 688. Fallow Deer; Buck and Group of Does; Galloping, 1885 (collotype on paper)
3950682 Plate 688. Fallow Deer; Buck and Group of Does; Galloping, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 13.3x45.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume XI, Wild Animals and Birds); gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 23008584
© gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Antlers Buck Deer Early Motion Picture Sequence Frames Gallop Galloping Herd Horns Motion Sequence Sequential Stop Motion Wild Animals B W Photo Black And White Photograph
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This photograph, titled "Plate 688. Fallow Deer; Buck and Group of Does; Galloping" was taken by the renowned photographer Eadweard Muybridge in 1885. The image is a collotype print on paper, measuring 13.3x45.9 cm, and is currently housed at the Addison Gallery of American Art in Phillips Academy, Andover, MA. Part of Muybridge's groundbreaking series "Animal Locomotion" this photograph captures a mesmerizing sequence of wild deer in motion. The buck leads a group of does as they gallop gracefully through their natural habitat. Their powerful legs are frozen mid-air, showcasing the beauty and agility of these majestic creatures. Muybridge's work revolutionized scientific photography with his innovative stop-motion technique. By capturing sequential frames of movement, he provided invaluable insights into animal locomotion that were previously unseen or misunderstood. The intricate details captured in this photograph allow us to study the subtle nuances of each deer's stride and posture during their gallop. From the elegant curve of their antlers to the intensity reflected in their eyes, every element contributes to our understanding and appreciation for these magnificent animals. As we gaze upon this remarkable image from over a century ago, we are reminded not only of Muybridge's pioneering contributions to photography but also our enduring fascination with nature's wonders.
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