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Tote Bag : Street in Patna, c. 1825 (oil on canvas)

Street in Patna, c. 1825 (oil on canvas)



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Street in Patna, c. 1825 (oil on canvas)

XYC169480 Street in Patna, c.1825 (oil on canvas) by D Oyly, Charles (1781-1845); 23.8x31.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Media ID 12737790

© www.bridgemanart.com

Awning Hindustan Moslem Rooftop Rooftops Uttar Pradesh Vernacular Architecture Daily Life Scene


Canvas Tote Bag

Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

Our tote bags are made from soft durable fabric and include a strap for easy carrying

Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")

These are individually made so all sizes are approximate


EDITORS COMMENTS
This print captures the essence of a street in Patna, India, circa 1825. Painted by Charles D Oyly, this oil on canvas artwork measures 23.8x31.9 cm and is currently housed at the Yale Center for British Art in the Paul Mellon Collection. The scene depicted showcases daily life in Patna during that era, with its distinct rooftops and vernacular architecture taking center stage. The artist's attention to detail allows us to immerse ourselves in this Muslim city, located in Uttar Pradesh. As we gaze upon this mesmerizing piece, our eyes are drawn to the intricate rooftop designs and vibrant awnings that adorn the buildings along the street. These elements add depth and character to an already bustling scene. D Oyly's portrayal of colonial India transports us back in time, offering a glimpse into a world far removed from our own. It serves as a reminder of how art can bridge gaps between cultures and provide insight into different periods of history. This particular print not only captures the beauty of Hindustan but also pays homage to Indian town life during colonial times. Its presence within the collection at Yale Center for British Art ensures that it will continue to be appreciated by art enthusiasts for generations to come.

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