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Tote Bag : Abbey in the Oakwood, 1810 (oil on canvas)
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Abbey in the Oakwood, 1810 (oil on canvas)
BAL5335 Abbey in the Oakwood, 1810 (oil on canvas) by Friedrich, Caspar David (1774-1840); 110x171 cm; Schloss Charlottenburg, Berlin, Germany; (add.info.: Eldena Abbey near Greitswald; ); German, out of copyright
Media ID 12917575
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Abandoned Graveyard Romanticist Spooky
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This print showcases Friedrich's masterpiece, "Abbey in the Oakwood" painted in 1810. The oil on canvas artwork measures 110x171 cm and is currently housed at Schloss Charlottenburg in Berlin, Germany. This particular scene depicts Eldena Abbey near Greitswald, a gothic ruin that exudes an eerie yet enchanting atmosphere. As the evening light casts long shadows over the graveyard, one cannot help but be drawn to the abandoned abbey standing amidst a desolate oakwood. The artist skillfully captures both the spooky and romantic elements of this scene, evoking a sense of mystery and melancholy. The religious implications are evident as well, with tombstones scattered throughout the landscape serving as reminders of mortality and spirituality. Friedrich's attention to detail brings every element to life - from the decaying architecture to the barren trees surrounding it. Considered one of Caspar David Friedrich's most iconic works, "Abbey in the Oakwood" perfectly embodies his style as a Romanticist painter. It invites viewers into a world where nature intertwines with human emotion and imagination.
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