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Tote Bag : The Harvest, Pontoise, 1881 (oil on canvas)
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The Harvest, Pontoise, 1881 (oil on canvas)
3471276 The Harvest, Pontoise, 1881 (oil on canvas) by Pissarro, Camille (1830-1903); 46x55.2 cm; Metropolitan Museum of Art, New York, USA; (add.info.: La Recolte, Pontoise); French, out of copyright
Media ID 18262099
© Metropolitan Museum of Art, New York, USA / Bridgeman Images
French Impressionism French Impressionist Gathering Harvesting Labor Peasants Potato Potatoes Sacks Vegetable Laborer
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The Harvest, Pontoise, 1881
EDITORS COMMENTS
is a captivating oil painting by the renowned French artist Camille Pissarro. This exquisite artwork, measuring 46x55.2 cm, can be found in the prestigious Metropolitan Museum of Art in New York City. Pissarro's masterpiece transports us to the serene countryside of Pontoise, France during the late 19th century. The canvas depicts a scene of bustling activity as peasants diligently gather potatoes from a vast field. Men and women labor side by side under the shade of towering trees, their figures blending harmoniously with nature's vibrant palette. The impressionist brushstrokes employed by Pissarro infuse this piece with an ethereal quality that captures both the essence of rural life and the fleeting beauty of everyday moments. The warm hues and delicate play of light create an atmosphere that envelops viewers in a sense of tranquility and nostalgia. As we observe this snapshot into history, we are reminded not only of the importance of agriculture but also the tireless efforts undertaken by these hardworking individuals to sustain their livelihoods. Through his artistry, Pissarro immortalizes their dedication and resilience. "The Harvest" stands as a testament to French Impressionism at its finest – capturing not just landscapes but also human experiences through strokes on canvas. It serves as an enduring reminder that even amidst our modern world's advancements, it is crucial to appreciate and honor those who work tirelessly behind-the-scenes to provide for our daily sustenance.
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