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Tote Bag : Portrait of Agostino Pallavicini, c. 1621 (oil on canvas)

Portrait of Agostino Pallavicini, c. 1621 (oil on canvas)



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Portrait of Agostino Pallavicini, c. 1621 (oil on canvas)

3077103 Portrait of Agostino Pallavicini, c.1621 (oil on canvas) by Dyck, Anthony van (1599-1641); 216.2x141 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Agostino Pallavicini (1577-1649 ) future Doge of Genoa Republic, dressed as ambassador to the newly elected Pope Gregory XV.); Flemish, out of copyright

Media ID 18257577

© J. Paul Getty Museum, Los Angeles, USA / Bridgeman Images

Ambassador Doge Dutch Golden Age Emissary Golden Age Holy Roman Empire Nobleman Papal Republic Robed


Canvas Tote Bag

Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

Our tote bags are made from soft durable fabric and include a strap for easy carrying

Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")

These are individually made so all sizes are approximate


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EDITORS COMMENTS
This portrait, titled "Portrait of Agostino Pallavicini" is a stunning oil on canvas masterpiece by the renowned Flemish artist Anthony van Dyck. The painting, measuring an impressive 216.2x141 cm, is housed in the prestigious J. Paul Getty Museum in Los Angeles, USA. In this exquisite artwork, Agostino Pallavicini (1577-1649), who would later become the Doge of Genoa Republic, is depicted dressed as an ambassador to Pope Gregory XV. Donning elaborate robes and seated with regal poise, Pallavicini exudes nobility and authority. Van Dyck's attention to detail is evident in every stroke of his brush; from the intricate patterns on Pallavicini's robe to the meticulously rendered facial features that showcase his moustache and beard. The artist skillfully captures both the power and grace of his subject. The painting transports us back to the Dutch Golden Age when diplomacy played a crucial role in international relations. As an emissary for Pope Gregory XV, Agostino Pallavicini represents not only himself but also embodies the diplomatic ties between nations during this era. This remarkable artwork serves as a testament to Van Dyck's mastery as well as a window into history—a visual record of a prominent figure who held great influence within both religious and political spheres. It continues to captivate viewers with its timeless beauty and historical significance.

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