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Flea infestation, satirical artwork
Flea infestation. 17th century artwork depicting a group of women suffering from an infestation of fleas (small black dots). The artwork dates from circa 1650, and the caption is in both German (left) and Latin (right). The titles are: Der Weiber Floh Scharmitzel (German) and Velitatio Mulierum Pulicosa (Latin). This version of the image was obtained from Trieste, from the collection of the Austrian physician Josef Brettauer (1835-1905). It was then reproduced in Die Karikatur und Satire in der Medizin (Caricature and Satire in Medicine, 1921) by the German art historian and physician Eugen Hollander (1867-1932)
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Media ID 6332185
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1600s 17th Century 1921 Art History Bed Room Burning Caption Caricature Caricaturised Cleaning Clothes Die Karikatur Und Satire In Der Medizin Dining Room Eugen Hollander Fire Flea Fleas German German Text Grooming History Of Medicine Home House Human Flea Infestation Inscription Inside Kitchen Latin Latin Text Living Room Pest Pulex Irritans Removing Satire Satirical Servant Table Writing 1650 Bed Clothes House Wife Maid Mono Chrome
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 18.8cm (9.6" x 7.4")
Estimated Product Size is 43.1cm x 38.1cm (17" x 15")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This 17th-century artwork titled "Flea Infestation" is a satirical depiction of a group of women suffering from an infestation of fleas. The detailed illustration, dating back to circa 1650, showcases small black dots representing the pesky insects. The caption on the print is written in both German and Latin, with the titles reading "Der Weiber Floh Scharmitzel" (German) and "Velitatio Mulierum Pulicosa" (Latin). This particular version of the image was obtained from Trieste and belonged to Josef Brettauer, an Austrian physician who lived from 1835 to 1905. The artwork gained further recognition when it was reproduced in Eugen Hollander's book "Die Karikatur und Satire in der Medizin" (Caricature and Satire in Medicine) published in 1921. Hollander, a German art historian and physician born in 1867, included this piece as part of his exploration into medical caricatures and satire. In this scene set within a kitchen or living room environment, we see women engaged in eradicating the flea infestation. They are depicted using various methods such as burning fires or grooming pets to rid themselves of these bothersome pests. The artwork provides insight into historical practices surrounding hygiene and pest control during that era. With its monochrome style capturing intricate details, this satirical artwork offers a glimpse into daily life during the seventeenth century while also highlighting societal concerns related to cleanliness and health.
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