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Premium Framed Print : Fever and ague, satirical artwork

Fever and ague, satirical artwork



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Fever and ague, satirical artwork

Fever and ague. Satirical artwork of representations of fever (central monster) and ague (creature wrapped around patient at left). Fever, a high body temperature, can be accompanied by shivering (ague). At right is a doctor writing out a prescription. This artwork, by the English caricaturist Thomas Rowlandson (1756-1827), dates from 1788, though this version was published in London in 1792. This copy is from the German book Die Karikatur und Satire in der Medizin (Caricature and Satire in Medicine, 1921) by the German art historian and physician Eugen Hollander (1867-1932)

Science Photo Library features Science and Medical images including photos and illustrations

Media ID 6331603

© SCIENCE PHOTO LIBRARY

1921 Art History Bed Room Caricature Caricaturised Cold Die Karikatur Und Satire In Der Medizin Doctor Eugen Hollander Fever Feverish Fire Flames History Of Medicine Monster Monsters Patient Physician Prescribing Prescription Satire Satirical Treating Treatment Warmth 1788 1792 Ague Condition Disorder Fire Place Shivering Thomas Rowlandson


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 16.9cm (9.6" x 6.7")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This satirical artwork, titled "Fever and Ague" captures the essence of a medical condition prevalent in the 18th century. Created by renowned English caricaturist Thomas Rowlandson in 1788, this particular print was published in London four years later. The image portrays fever as a central monster with ague, represented by a creature wrapped around the patient on the left side. Fever, characterized by high body temperature, often induces shivering or ague. In this illustration, we see a doctor diligently writing out a prescription on the right-hand side. The scene is set in what appears to be a cozy bedroom with an inviting fireplace providing warmth and comfort. This piece of art offers insight into historical medical practices during that era. The print itself is from Eugen Hollander's book "Die Karikatur und Satire in der Medizin" (Caricature and Satire in Medicine), published in Germany in 1921. Hollander was both an art historian and physician who compiled various artworks related to medicine throughout history. "Fever and Ague" serves as an intriguing example of how satire can be used to depict medical disorders while also shedding light on societal perceptions surrounding illness at that time. It showcases Rowlandson's talent for capturing human experiences through his unique artistic style.

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