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1858 Prehistoric marine reptiles
1858 Marine Monsters by Benjamin Waterhouse Hawkins. Plate 23, to face page 33, of the New Edition, postumously published, of William Bucklands " Geology and Mineralogy" - part of the Bridgewater Treatises series. Waterhouse Hawkins was commissioned to produce this new plate for the book by Francis Buckland, Williams son. It shows reconstructions of these prehistoric reptiles as produced for the Crystal Palace Sydenham around 1854. The reptiles are identified in the plate. Notable is the lack of fin and straight (rather than correctly bilobe finned) tail of the icthyosaur (central) - these mistakes only became apparent when fin skin impressions were recognised in German specimens. All these species occupied British Coasts in the Jurassic
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6317843
© PAUL D STEWART/SCIENCE PHOTO LIBRARY
Antediluvian Black And White Buckland Conybeare Crystal Palace Icthyosaur Lyme Regis Mary Anning Owen Plesiosaur Pre Historic Pterodactyle Pterosaur Reconstruction Sydenham Mono Chrome Teleosaurus
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 23.5cm (15.6" x 9.3")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print transports us back to the year 1858, showcasing Benjamin Waterhouse Hawkins' remarkable illustrations of prehistoric marine reptiles. Commissioned by Francis Buckland for the posthumous edition of William Buckland's "Geology and Mineralogy" this plate was created as an addition to the renowned Bridgewater Treatises series. The image reveals reconstructions of these ancient creatures, originally crafted for display at Crystal Palace Sydenham in 1854. Each species is meticulously identified on the plate, providing a glimpse into the diverse array of reptiles that once inhabited British Coasts during the Jurassic period. Notably, we observe a scientific error in this artwork: the icthyosaur at the center lacks fins and possesses a straight tail instead of bilobe finning. These inaccuracies were only discovered later when German specimens revealed impressions of fin skin. Nevertheless, Waterhouse Hawkins' work remains an invaluable contribution to our understanding of these fossil reptiles. Immerse yourself in this monochromatic masterpiece as it pays homage to pioneers like Mary Anning and William Conybeare who dedicated their lives to uncovering Earth's ancient secrets. Let your imagination soar alongside pterosaurs and pterodactyls while marveling at teleosaurus and plesiosaur reconstructions. This print serves as a testament to both artistic skill and scientific exploration—a timeless reminder that even with its imperfections, knowledge continues to evolve through diligent observation and discovery.
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