Premium Framed Print : 1731 Johann Scheuchzer stone tools
Framed Photos from Science Photo Library
1731 Johann Scheuchzer stone tools
1731 Physica Sacra (Sacred Physics) by Johann Scheuzner (1672-1733) folio copper engraving of prehistoric stone tools and monolith, drawn by a team of engravers under the direction of Johann Andreas Pfeffel (1674-1748). The goal of Scheuchzers work was to use the best contemporary science and discoveries to illuminate the biblical account of human history in a sequence of 745 plates. Prehistoric stone tools fell within this chronology as the work of the first descendents of Adam. Shown in the frame is an oblong celt and various perforated axe and mace heads from the European and middle eastern neolithic. This is among the very earliest illustrations of these tools
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6318661
© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com
18th Century Archaeology Bible Christian Dating Johann Scheuchzer Neolithic Pagan Physica Sacra Sacred Physics Science And Religion Stone Age Stone Tools Celt Mesolithic Monolith Palaeontology
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.9cm x 39.6cm (10.2" x 15.6")
Estimated Product Size is 48.2cm x 58.4cm (19" x 23")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases a remarkable piece of 18th-century artwork by Johann Scheuchzer, titled "1731 Physica Sacra". In this folio copper engraving, Scheuchzer's goal was to merge the realms of science and religion by shedding light on biblical history through contemporary scientific knowledge. The image depicts prehistoric stone tools and a monolith, meticulously drawn by a team of skilled engravers under the guidance of Johann Andreas Pfeffel. Within the frame, we are presented with an array of ancient artifacts from the European and Middle Eastern Neolithic periods. Among them are an oblong celt and various perforated axe and mace heads, providing us with one of the earliest visual representations of these tools. These objects were believed to be crafted by Adam's first descendants according to Scheuchzer's chronology. The significance of this illustration extends beyond its artistic beauty; it symbolizes the intersection between Christian beliefs, archaeology, and paleontology. It serves as a testament to humanity's curiosity about our origins and how we have evolved over time. Paul D. Stewart has skillfully captured this historic artwork in his photo print, allowing us to appreciate both its aesthetic value and its contribution to our understanding of human history. This thought-provoking image invites contemplation on the intricate relationship between science and religion throughout centuries past.
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