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Premium Framed Print : 1662 Schott Sea Monsters and mermaids
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1662 Schott Sea Monsters and mermaids
I Triton, II " Sea monster in the likeness of a monk", III " Sea man in the dress of a bishop", IV " Sea Satyr". Copperplate from Gaspar Schotts Physica Curiosa, sive mirabilia naturae. Gaspar Schott was a Jesuit scholar (1608-1666). He worked with Athanasius Kircher in Rome before returning to Germany in 1655 where he was appointed professor of Mathematics at Augsburg. This work may have been inspired by unfinished elements of Kirchers work and draws together a remarkable array of the real and the imagined. Schott describes them all as real, the monkfish here seems derived from the likeness of a dried ray fish to a monk. The Bishop fish is a logical extension of the principle!. Many of Schotts images were ultimately derived from similar to be found in the 16th century works of Gessner
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Media ID 6317493
© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com
17th Century Beast Black And White Curiosity Fantastic Fantasy Kircher Monster Myth Mythical Freak Mermaid Merman Monkfish Mono Chrome Monstrosity
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 17.6cm x 24.4cm (6.9" x 9.6")
Estimated Product Size is 38.1cm x 43.1cm (15" x 17")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a remarkable piece of art from 1662, featuring sea monsters and mermaids. Created by Gaspar Schott, a renowned Jesuit scholar, this copperplate is part of his work called Physica Curiosa, sive mirabilia naturae. Schott collaborated with Athanasius Kircher in Rome before becoming a professor of Mathematics in Augsburg. Drawing inspiration from Kircher's unfinished elements, Schott combines the real and the imagined in this extraordinary collection. Although he describes these creatures as real, they are undoubtedly products of both observation and imagination. For instance, the monkfish depicted here bears an uncanny resemblance to a dried ray fish transformed into a monk-like figure. One particularly intriguing creation is the Bishop fish—a logical extension of Schott's inventive mind. This artwork reflects the fusion between natural curiosity and artistic interpretation prevalent during the 17th century. Schott's illustrations draw upon earlier works like those found in Gessner's publications from the 16th century. The monochrome aesthetic adds to their mystique while highlighting intricate details that bring these mythical beings to life. Paul D. Stewart skillfully captures this mesmerizing image through photography, preserving its historical significance for contemporary viewers to appreciate. As we gaze upon this print, we are transported back in time to an era where fantastical creatures roamed both land and sea—an enchanting testament to human creativity throughout history.
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