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Whos first, gents?
Whos first, gents?. Illustration shows a female figure labeled Peace standing in a barber shop, holding a large pair of shears labeled Disarmament; sitting to the right are the heads of state from Spain, US Uncle Sam, Austria, Japan, Italy, France, England, Germany, and Russia, each with bayonets and artillery as hair. Date 1906 May 30. Whos first, gents?. Illustration shows a female figure labeled Peace standing in a barber shop, holding a large pair of shears labeled Disarmament; sitting to the right are the heads of state from Spain, US Uncle Sam, Austria, Japan, Italy, France, England, Germany, and Russia, each with bayonets and artillery as hair. Date 1906 May 30
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Media ID 7361148
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10606765
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 26.3cm (15.6" x 10.4")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Whose Turn is It Next, Gents?
EDITORS COMMENTS
, a thought-provoking and satirical illustration published in Puck magazine on May 30, 1906, offers a striking commentary on the arms race among major world powers at the turn of the 20th century. The image depicts a barber shop scene with Peace, personified as a woman, standing behind a barber chair, holding a large pair of shears labeled "Disarmament." To her right, an assortment of heads of state from various countries take a seat, each adorned with an extravagant hairstyle made of their respective weapons of war. The Spanish king is shown with a bayonet, Uncle Sam from the United States wears artillery, Austria's emperor sports a grenade, Japan's emperor dons a samurai sword, Italy's king is crowned with a laurel wreath of bayonets, France's president boasts a cannon, England's king is crowned with a crown of guns, Germany's kaiser is bedecked with a laurel wreath of swords, and Russia's tsar is topped with a crown of cannons. The scene is a stark reminder of the escalating arms race among these nations, with each leader seemingly vying for the title of the most powerful. The illustration, titled "Who's First, Gents?", is a poignant commentary on the futility of the arms race and the potential consequences of unchecked military buildup. The image serves as a powerful reminder of the need for diplomacy and disarmament, and the importance of working towards peace and cooperation among nations. This and thought-provoking illustration, a product of the early 20th century's political satire, continues to resonate with contemporary audiences and remains a testament to the enduring power of art to provoke thought and inspire change.
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