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Premium Framed Print : Ripe fruit and leaves of Brown Beurre Pear, Pyrus communis

Ripe fruit and leaves of Brown Beurre Pear, Pyrus communis



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Ripe fruit and leaves of Brown Beurre Pear, Pyrus communis

Ripe fruit and leaves of Brown Beurre Pear, Pyrus communis.. Handcolored illustration by Edwin Dalton Smith engraved by Watts from Charles McIntoshs Flora and Pomona 1829. McIntosh (1794-1864) was a Scottish gardener to European aristocracy and royalty, and author of many book on gardening. E.D. Smith was a botanical artist who drew for Robert Sweet, Benjamin Maund, etc

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14215807

© Florilegius / Mary Evans

Beurre Communis Dalton Edwin Flora Mcintosh Pear Pomona Pyrus Ripe Smith


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 26cm x 39.6cm (10.2" x 15.6")

Estimated Product Size is 48.2cm x 58.4cm (19" x 23")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Insects > Spiders > European Garden

> Arts > Artists > Related Images

> Arts > Artists > S > Charles Smith

> Arts > Artists > S > Edwin Dalton Smith

> Arts > Artists > S > Mary Smith

> Arts > Artists > S > Robert Smith

> Arts > Authors

> Arts > Portraits > Botanical illustrations > Fine art

> Arts > Realistic drawings > Botanical illustrations > Fine art

> Europe > Related Images


EDITORS COMMENTS
This exquisite handcolored illustration showcases the ripe fruit and leaves of the Brown Beurre Pear, scientifically known as Pyrus communis. The illustration, created by the skilled botanical artist Edwin Dalton Smith, was meticulously engraved by Watts for the renowned Scottish gardener and author, Charles McIntosh. McIntosh, who lived from 1794 to 1864, was a prominent figure in European aristocracy and royalty circles, known for his extensive knowledge and expertise in horticulture. The Brown Beurre Pear is a variety of the common pear tree, which is native to Europe, North Africa, and Western Asia. The ripe fruit in this illustration is depicted as a rich golden brown color, with a smooth and lustrous surface. The leaves, delicately rendered in green, provide a striking contrast to the deep hues of the fruit. This illustration is taken from McIntosh's comprehensive work, "Flora and Pomona," published in 1829. Botanical illustrations of the time were an essential tool for the scientific community, allowing for the accurate documentation and identification of plant species. The intricate details and vibrant colors of this illustration serve as a testament to the dedication and artistry of both Smith and McIntosh. The 19th century was a golden age for botanical illustration, and this illustration is a prime example of the beauty and precision that could be achieved through the combination of artistic skill and scientific rigor. Today, it remains a valuable historical record of the natural world and a testament to the enduring allure of the natural world.

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