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Premium Framed Print : A Member of Tattersall s

A Member of Tattersall s



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A Member of Tattersall s

A scene from the play A Member of Tattersall s, by Captain H.S.Browning, which opened at the Whitney Theatre (now the Novello Theatre, Aldwych, London) on 28 February 1912.
The stage production featured a live horse (playing the role of Plutocrat ), seen here being led on stage by Peter Perks the bookmaker, played by Rutland Barrington. The jockey was played by Archie Arbuthnot.
1912

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Media ID 7192829

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10505186

Aldwych Arbuthnot Archie Barrington Bookmaker Browning Jockey Member Novello Rutland Tattersall Whitney Perks Plutocrat


31"x27" (79x69cm) Premium Frame

FSC real wood frame with double mounted 24x20 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 31x27 inches (787x685mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 53.7cm x 59.9cm (21.1" x 23.6")

Estimated Product Size is 68.5cm x 78.7cm (27" x 31")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > Peter Brown

> Europe > United Kingdom > England > London > Art > Theatre

> Europe > United Kingdom > England > London > Art > Venues > Aldwych Theatre

> Europe > United Kingdom > England > London > Art > Venues > Novello Theatre

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > Rutland > Related Images


EDITORS COMMENTS
A Member of Tattersall's: A Scene from the Play by Captain H.S. Browning This photograph offers a glimpse into the world of horse racing and theatrical innovation as depicted in Captain H.S. Browning's play, "A Member of Tattersall's," which opened at the Whitney Theatre, now the Novello Theatre, in Aldwych, London, on February 28, 1912. In this scene, Rutland Barrington, as Peter Perks the bookmaker, leads a live horse named Plutocrat onto the stage. The jockey, Archie Arbuthnot, is seen in the background, poised to mount his steed. The integration of a live horse into the production was a groundbreaking achievement in the early 20th century, adding a level of authenticity and excitement to the performance. The play, which revolved around the world of horse racing and gambling, was a popular success and showcased the theatrical prowess of its talented cast. Rutland Barrington, an accomplished actor and director, brought depth and nuance to the role of Peter Perks, while Archie Arbuthnot's portrayal of the jockey added a touch of athleticism and charisma to the production. The combination of live animals, dramatic performances, and the thrill of horse racing made "A Member of Tattersall's" a must-see event for London theatre-goers. This photograph serves as a testament to the ingenuity and creativity of the early 20th-century theatre scene, as well as the enduring appeal of the world of horse racing and the human connection to these magnificent animals.

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