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Premium Framed Print : The Melton Breakfast by Sir Francis Grant
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The Melton Breakfast by Sir Francis Grant
A rare mezzotint of High Leicestershire Lights of the past enjoying breakfast before a hunt. From left to right are Massey Stanley, the Earl of Wilton, Count Matuszevic, Lord Gardner, Walter Little Gilmour, Lyne Stevens, a servant, Sir Frederick Johnstone, Lord Rokeby, Lord Forester, Lord Kinnaird and Roland Errington. Lord Forester, standing by the fire, became Master of the Belvoir, and hunted that country for twenty-eight years. Mr Gilmour and Lord Gardner were well known for their cooks and cellars and the latter was also a poet. Mr Errington was Master of the Quorn from 1835 to 1838. The artist, once President of the Royal Academy, was knighted at the age of fifty-six and lived most of his life in Melton in the heart of Leicestershire hunting country. His family preferred that he should be buried there rather than in St. Pauls Cathedral. Date: 1835
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Media ID 14126704
© Illustrated London News Ltd/Mary Evans
1835 Belvoir Blood Breakfast Count Eating Forester Francis Frederick Gardner Gilmour Grant Hunt Huntsmen Johnstone Leicestershire Lights Lyne Massey Master Melton Mezzotint Rare Rokeby Roland Servant Stanley Stevens Walter Wilton Kinnaird
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 25.3cm (15.6" x 10")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Melton Breakfast
EDITORS COMMENTS
is a captivating mezzotint print by Sir Francis Grant, showcasing a rare gathering of High Leicestershire lights of the past, as they enjoy their breakfast before embarking on a hunt. The image, dated 1835, depicts an array of distinguished gentlemen, including Massey Stanley (Earl of Wilton), Count Matuszevic, Lord Gardner, Walter Little Gilmour, Lyne Stevens, a servant, Sir Frederick Johnstone, Lord Rokeby, Lord Forester, and Roland Errington. The scene takes place in the heart of Leicestershire hunting country, with Lord Forester, standing by the fire, having served as Master of the Belvoir for an impressive twenty-eight years. Known for their exceptional cooks and cellars, Lord Gardner and Mr. Gilmour add to the convivial atmosphere of the gathering. Sir Francis Grant, once President of the Royal Academy, was knighted at the age of fifty-six and spent most of his life in Melton. His family's wishes were for him to be buried there rather than in St. Paul's Cathedral. Among the group, Lord Forester, Lord Gardner, and Mr. Errington held significant roles in the hunting community, with the latter serving as Master of the Quorn from 1835 to 1838. The men, dressed in their finery, engage in lively conversation as they prepare for the day's hunt. The warmth of the fireplace contrasts with the chill outside, while the rich colors and textures of their clothing and the intricate details of the room's decor add depth and character to this historical moment. This exquisite mezzotint print offers a glimpse into the lives of these 19th-century huntsmen, preserving the essence of a bygone era.
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