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Premium Framed Print : Dry lacquer sculpture of the Buddha. Rangoon, Burma (Myanmar

Dry lacquer sculpture of the Buddha. Rangoon, Burma (Myanmar



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Dry lacquer sculpture of the Buddha. Rangoon, Burma (Myanmar

Dry lacquer sculpture of the Buddha. From Rangoon, Burma (Myanmar). Late 18th or early 19th C. AD. Seated in the lotus position. In Right hand is a myrobalan, medicinal fruit. British Museum. London. England. United Kingdom

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14337935

© Thaliastock / Mary Evans

Buddha Buddhist Burma Crossed Lacquer Legs Lotus Medicinal Myanmar Position Rangoon


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 27cm x 39.6cm (10.6" x 15.6")

Estimated Product Size is 48.2cm x 58.4cm (19" x 23")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
1. Title: "A Revered Symbol of Peace and Enlightenment: A 18th or 19th Century Dry Lacquer Sculpture of the Buddha from Rangoon, Burma (Myanmar)" 2. Description: This exquisite dry lacquer sculpture showcases the serene and enlightened figure of the Buddha, seated in the traditional lotus position. The sculpture, believed to have originated from Rangoon (now Yangon), the largest city in Myanmar (formerly known as Burma), dates back to the late 18th or early 19th century. The meticulously crafted artwork is now part of the esteemed collection at the British Museum in London, England, United Kingdom. 3. Historical Context: The Buddha, the founder of Buddhism, is considered an enlightened being who attained Nirvana, or the ultimate state of peace and liberation from the cycle of birth, suffering, and rebirth. This sculpture represents the Buddha in a meditative state, with his legs crossed in the lotus position, a posture that symbolizes detachment from worldly desires and the attainment of spiritual enlightenment. 4. Symbolism and Significance: The Buddha is depicted holding a myrobalan fruit, a medicinal fruit that is believed to have healing properties and is mentioned in various Buddhist texts. The fruit symbolizes the Buddha's compassion and his role as a healer and teacher. The intricately detailed woodwork and the application of dry lacquer techniques highlight the exceptional craftsmanship and artistic skills of the Burmese artisans during this period. 5. Cultural and Religious Significance: This sculpture is a testament to the rich cultural and religious heritage of Burma and Myanmar, where Buddhism has played a significant role in shaping the society and its people. The intricate details and the peaceful expression on the Buddha's face evoke a sense of tranquility and reverence, making it a cherished piece in the British Museum's collection and a source of inspiration for art and spiritual enthusiasts around the world.

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