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Premium Framed Print : Vue generale du Cimetiere de Siout, 1849-50. Creator: Maxime du Camp

Vue generale du Cimetiere de Siout, 1849-50. Creator: Maxime du Camp



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Vue generale du Cimetiere de Siout, 1849-50. Creator: Maxime du Camp

Vue generale du Cimetiere de Siout, 1849-50

Heritage Images features heritage image collections

Media ID 20133501

© Heritage Art/Heritage Images

Asyut Asyut Asyut Upper Egypt Egypt Camp Camp Maxime Du Cemetery Du Camp Du Camp Maxime Graveyard Mausoleum Maxime Maxime Du Maxime Du Camp Salted Paper Print Tombs Upper Egypt


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 18.8cm (9.6" x 7.4")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Asyut

> Africa > Egypt > Related Images

> Architecture > Country > France

> Architecture > Related Images

> Architecture > Styles > Egyptian Architecture

> Arts > Artists > C > Maxime Du Camp

> Arts > Contemporary art > Photography > Landscape photography

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Historic > Egyptian pyramids and tombs

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


Vue generale du Cimetiere de Siout, 1849-50 - A Glimpse into the Past

EDITORS COMMENTS
. This photograph, taken by Maxime du Camp in the mid-19th century, transports us to the hauntingly beautiful Cimetiere de Siout in Upper Egypt. The image captures a sweeping view of this ancient burial ground, showcasing its architectural splendor and serene landscape. As we gaze upon this salted paper print, our eyes are drawn to the imposing mausoleums and tombs that dot the cemetery's grounds. Each structure tells a story of lives lived and lost, standing as testaments to both human mortality and enduring legacy. Du Camp's masterful composition allows us to appreciate not only the physical beauty of these structures but also their historical significance. The French photographer skillfully captures the essence of this Egyptian heritage art with his meticulous attention to detail. The stark contrast between light and shadow adds an air of mystery to the scene while emphasizing both life's transience and eternal rest. This visual narrative invites contemplation on themes such as death, memory, and spirituality – universal concepts that transcend time and place. Preserved within The Metropolitan Museum of Art's collection, this remarkable piece serves as a window into another era – a testament to Du Camp's artistic vision as well as his dedication to documenting cultural landscapes for future generations.

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