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Premium Framed Print : The Trinity, c. 1620. Creator: Hendrik van Balen (Flemish, 1575-1632)
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The Trinity, c. 1620. Creator: Hendrik van Balen (Flemish, 1575-1632)
The Trinity, c. 1620. This vividly coloured altarpiece was made in Antwerp, the center of religious learning in Catholic Flanders. In the mid-1500s when the Catholic Church mounted a defense against the spread of Protestant reforms, known as the Counter-Reformation, it encouraged the production of religious images that promoted Catholic doctrine, offering opportunities for artists like Rubens, Van Dyck, and Van Balen. Van Balens painting depicts the traditional theme of the Trinity, with God the Father holding the dead Christ and the dove of the Holy Spirit hovering above. Unusually, God wears the purple papal tiara, intended to emphasize the popes role as Gods true representative on earth. Encircling the figures of the Trinity are angels holding the instruments of Christs Passion. On the clasp of Gods elaborate cape is a small figure of Saint Barbara, perhaps a clue to the original location of the work in a chapel dedicated to her
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Media ID 19646119
© Heritage Art/Heritage Images
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 19.5cm x 24.4cm (7.7" x 9.6")
Estimated Product Size is 38.1cm x 43.1cm (15" x 17")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Trinity, c. 1620
EDITORS COMMENTS
is a captivating print that showcases the artistic brilliance of Hendrik van Balen, a renowned Flemish artist from the late 16th to early 17th century. Created in Antwerp, this altarpiece reflects the city's significance as a hub of religious learning during Catholic Flanders. During the Counter-Reformation period, when the Catholic Church sought to counter Protestant reforms, religious images played a crucial role in promoting Catholic doctrine. Artists like Rubens, Van Dyck, and Van Balen found ample opportunities to create works that aligned with these ideals. Van Balen's painting depicts the traditional theme of the Trinity: God the Father holding Jesus Christ after his crucifixion while being accompanied by the Holy Spirit represented as a dove hovering above them. Notably, God is depicted wearing a purple papal tiara—an intentional symbol emphasizing the pope's role as God's true representative on earth. The composition also features angels encircling the figures of the Trinity while holding instruments associated with Christ's Passion—a poignant reminder of his sacrifice for humanity. Additionally, Saint Barbara can be seen on God's cape clasp—possibly indicating that this artwork was originally located in a chapel dedicated to her. This vividly colored altarpiece serves as an exquisite example of van Balen's mastery and highlights his contribution to religious art during this significant era in history.
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