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Premium Framed Print : Tige Fleurie D Amandier, 1888. Artist: Vincent van Gogh

Tige Fleurie D Amandier, 1888. Artist: Vincent van Gogh



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Tige Fleurie D Amandier, 1888. Artist: Vincent van Gogh

Tige Fleurie D Amandier, 1888. From Van Gogh Paintings, introduction by Graham Reynolds. [Lindsay Drummond, Ltd & Les Editions du Chene, London & Paris, 1947]

Heritage Images features heritage image collections

Media ID 14929866

© The Print Collector

Blossom Editions Du Chene Flowering Gogh Graham Graham Reynolds Lindsay Drummond Lindsay Drummond Ltd Pastel Post Impressionism Publishing Reynolds Van Gogh Van Gogh Paintings Vase Vincent Vincent Van Vincent Van Gogh Vincent Willem Van Gogh Almond Blossom Impressionist


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 18.4cm x 24.4cm (7.2" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Animals > Mammals > Muridae > Fortior

> Arts > Art Movements > Impressionism

> Arts > Art Movements > Post-Impressionism

> Arts > Artists > Related Images

> Arts > Artists > Vincent van Gogh > Impressionism

> Arts > Artists > Vincent van Gogh > Post-Impressionism

> Arts > Artists > Vincent van Gogh

> Arts > Artists > Vincent Van Gogh

> Arts > Fine Art

> Arts > Impressionist paintings


EDITORS COMMENTS
This close-up print captures the exquisite beauty of "Tige Fleurie D Amandier" by Vincent van Gogh, painted in 1888. The delicate almond blossoms burst forth from the canvas, their vibrant colors and intricate details brought to life through the lens. Van Gogh's signature impressionist style is evident in every brushstroke, as he skillfully captures the essence of nature's fleeting beauty. Displayed indoors, this artwork adds a touch of elegance and sophistication to any space. The pastel hues create a calming atmosphere, inviting viewers to immerse themselves in the tranquility of this floral masterpiece. The vase holding the flowering branches serves as a symbol of hope and renewal, reminding us that even amidst darkness and despair, there is always room for growth and beauty. Published in 1947 as part of "Van Gogh Paintings" with an introduction by Graham Reynolds, this print has become an iconic representation of Van Gogh's post-impressionist works. Its inclusion in homeware publications during the forties further solidifies its status as a timeless piece that transcends generations. As we gaze upon this print today, we are transported back to the nineteenth century when impressionism was at its peak. We witness Van Gogh's genius firsthand – his ability to capture emotion through color and form – making us appreciate his contribution not only to art history but also to our own personal connection with nature's wonders.

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