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Premium Framed Print : Scene from Don Juan, ou le Festin de Pierre, 1665, (18th century). Artist: Laurent Cars
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Scene from Don Juan, ou le Festin de Pierre, 1665, (18th century). Artist: Laurent Cars
Scene from Don Juan, ou le Festin de Pierre, 1665, (18th century). Don Juan is speaking to the stone statue of the Commander whom he killed when the old man challenged the Don who had seduced his daughter. He is asking the statue to a banquet. His manservant cringes in terror. This play was given 15 performances in 1665 and was then proscribed. The libretto of Mozarts opera Don Giovanni (1787) was based on Molieres text. From Don Juan, ou le Festin de Pierre (Don Juan, or the Stone Banquet) by Moliere. (Paris, 1665)
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Media ID 14866282
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Afraid Alarm Banquet Dinner Don Giovanni Don Juan Fear Feast Frighten Frightened Frightening Ghost Invitation Jean Baptiste De Jean Baptiste De Moliere Jean Baptiste Poquelin Laurent Moli Re Moliere Mozart Phantom Poquelin Scared Servant Supernatural Terror Wolfgang Amadeus Wolfgang Amadeus Mozart Laurent Cars
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 26.9cm x 39.6cm (10.6" x 15.6")
Estimated Product Size is 48.2cm x 58.4cm (19" x 23")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a scene from the renowned play "Don Juan, ou le Festin de Pierre" by Moliere, dating back to 1665. The artist Laurent Cars skillfully depicts Don Juan engaged in an eerie conversation with the stone statue of the Commander he had once killed. In this haunting moment, Don Juan fearlessly invites the supernatural figure to join him for a banquet, while his terrified manservant cowers nearby. The image evokes a sense of concept and fear as it explores themes of death, ghostly encounters, and the consequences of one's actions. The stone statue stands as a chilling reminder of past misdeeds and serves as both a physical representation of Don Juan's guilt and an invitation to face his own mortality. Moliere's play was initially performed only 15 times before being banned due to its controversial nature. However, its influence endured through time, inspiring Mozart's opera "Don Giovanni" in 1787. This engraving transports us back to seventeenth-century Parisian literature and theater culture. It showcases the talent of Laurent Cars in capturing human emotions within art media. The monochrome aesthetic adds depth and intensity to the scene while emphasizing the supernatural elements at play. Overall, this print is not just an artistic masterpiece but also a testament to timeless stories that continue to captivate audiences across centuries.
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