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Premium Framed Print : The pillory in Japan before the revolution, 1895. Artist: Hildibrand

The pillory in Japan before the revolution, 1895. Artist: Hildibrand



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The pillory in Japan before the revolution, 1895. Artist: Hildibrand

The pillory in Japan before the revolution, 1895. From The Universal Geography with Illustrations and Maps, division XIV, written by Elisee Reclus and published by Virtue & Co. Limited (London, 1895)

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Media ID 14941335

© The Print Collector / Heritage-Images

Confinement Criminal E Ronjat Elisee Elisee Reclus Hildibrand Pillory Punishment Reclus Ronjat Stocks Print Collector7


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 18.7cm (9.6" x 7.4")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > Related Images

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Asia > Japan > Maps

> Asia > Japan > Related Images

> Asia > Related Images

> Maps and Charts > Related Images


EDITORS COMMENTS
This print transports us back to Japan before the revolution in 1895. The image showcases a significant aspect of Japanese history - the pillory, a symbol of confinement and punishment for criminals. The artist, Hildibrand, skillfully captures this scene with intricate details that bring the past to life. The pillory stands tall in its solemn presence, evoking a sense of fear and awe. Its wooden structure is meticulously engraved, showcasing the craftsmanship of the time. A criminal sits within its confines, his posture reflecting both resignation and defiance. This portrait offers us a glimpse into the harsh realities faced by those who transgressed societal norms during this era. As we contemplate this powerful image, we are reminded of Asia's diverse continent and Japan's unique cultural landscape. It serves as a reminder that every country has its own history and methods for dealing with crime. This monochrome print from "The Universal Geography with Illustrations and Maps" takes us on an immersive journey through time. Published by Virtue & Co. , Limited in London in 1895, it represents an invaluable historical document capturing Japan's 19th-century society. Thanks to E Ronjat, Elisee Reclus (the author), Hildibrand (the creator), we can now appreciate this remarkable piece from Heritage Images without any commercial use intentions but rather as an opportunity to reflect upon our shared human experiences throughout different periods of history.

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