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Premium Framed Print : Opening of the Royal Aquarium and Summer and Winter Garden, Westminster...1876. Creator: C. R
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Opening of the Royal Aquarium and Summer and Winter Garden, Westminster...1876. Creator: C. R
Opening of the Royal Aquarium and Summer and Winter Garden, Westminster, by the Duke of Edinburgh, 1876. There was an assembly of nearly ten thousand ladies and gentlemen...The Royal box was decorated with festooned curtains of crimson damask, blue silk hangings with white lace, and lilies provided by Mr. Wills, florist...this undertaking is intended, besides the aquarium...to afford facilities for "the encouragement of artistic, scientific, and musical tastes". It is to be "not only a popular exhibition, but a means of intellectual enjoyment and educational advantage". His Royal Highness...recognised those higher aims, which were the same that his father had in view at the Exhibition of 1851. He observed "the extensive aquarium, which is the main object of this institution, cannot fail...to stimulate the love of natural history and the acquirement of scientific knowledge". From "Illustrated London News", 1876
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Media ID 36367425
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Alfred Duke Of Saxe Coburg And Gotha Alfred Ernest Albert Alfred Ernest Albert Wettin Alfred Prince Aquarium Ceremonial Ceremony City Of Westminster London England Cultural Event Duke Duke Of Edinburgh Duke Of Saxe Coburg Gotha Official Officials Opening Opening Ceremony Prince Alfred Royal Box Sailor Sailors Saxe Coburg And Gotha Duke Of Venue Westminster London England Wettin Alfred Ernest Albert Naval Warfare Royal Aquarium Winter Garden Winter Gardens
31"x27" (79x69cm) Premium Frame
FSC real wood frame with double mounted 24x20 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 31x27 inches (787x685mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 56.7cm x 59.9cm (22.3" x 23.6")
Estimated Product Size is 68.5cm x 78.7cm (27" x 31")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photograph captures the grand opening of the Royal Aquarium and Summer and Winter Gardens in Westminster, London, in 1876. The Duke of Edinburgh, His Royal Highness Prince George, is seen gracefully opening the venue in the presence of an assembly of nearly ten thousand esteemed ladies and gentlemen. The royal box is elegantly adorned with crimson damask curtains, blue silk hangings with white lace, and lilies, generously provided by Mr. Wills, the renowned florist. The Royal Aquarium and Summer and Winter Gardens were not merely an exhibition, but a sanctuary for the encouragement of artistic, scientific, and musical tastes. This undertaking, as stated in the Illustrated London News of 1876, aimed to provide 'not only a popular exhibition, but a means of intellectual enjoyment and educational advantage.' The Duke of Edinburgh, recognizing the higher aims of this institution, echoed the sentiments of his father, who had envisioned a similar intellectual and educational purpose at the Exhibition of 1851. He was particularly moved by the extensive aquarium, which he believed 'cannot fail to stimulate the love of natural history and the acquisition of scientific knowledge.' This photograph offers a glimpse into the grandeur and sophistication of the Victorian era, as well as the intellectual curiosity and appreciation for the natural world that defined the era. The Royal Aquarium and Summer and Winter Gardens stood as a testament to the power of knowledge, art, and beauty to captivate and inspire the masses.
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