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Premium Framed Print : The Nave, Nipon Minster, Looking East, 1898. Creator: Unknown

The Nave, Nipon Minster, Looking East, 1898. Creator: Unknown



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The Nave, Nipon Minster, Looking East, 1898. Creator: Unknown

The Nave, Ripon Minster, Looking East, 1898. From " Our Own Country, Volume IV". [Cassell and Company, Limited, London, Paris & Melbourne, 1898]

Heritage Images features heritage image collections

Media ID 19660387

© The Print Collector/Heritage Images

Cassells Co Cassell Minster Nave North Yorkshire Our Own Country Ripon Ripon Cathedral Ripon North Yorkshire England Cassell And Company Ltd Ripon Minster


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 20.4cm x 24.4cm (8" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Cathedrals

> Architecture > Country > England

> Architecture > Related Images

> Architecture > Religious

> Architecture > Styles > Gothic Architecture

> Arts > Literature

> Europe > United Kingdom > England > North Yorkshire > Related Images

> Europe > United Kingdom > England > North Yorkshire > Ripon

> Europe > United Kingdom > England > Ripon

> Europe > United Kingdom > England > Yorkshire > Related Images


EDITORS COMMENTS
This print titled "The Nave, Ripon Minster, Looking East, 1898" takes us back in time to the enchanting world of 19th-century England. The image showcases the grandeur and architectural beauty of Ripon Cathedral's nave, a masterpiece that seamlessly blends Gothic elements with Christian symbolism. As we gaze upon this remarkable engraving from "Our Own Country, Volume IV" we are transported to a bygone era where literature and art intertwined to capture the essence of British heritage. The unknown creator skillfully captures the intricate details of this sacred space, allowing us to appreciate its awe-inspiring presence. In this scene, background figures add depth and scale to the photograph while remaining anonymous witnesses to history. Their presence reminds us that churches like Ripon Minster were not only places of worship but also gathering spots for communities seeking solace or celebrating their faith. Located in North Yorkshire, England, Ripon Minster has stood tall since the 12th century as a testament to centuries-old religious devotion. This print serves as a window into an era when religion played an integral role in people's lives and architecture was seen as an expression of divine splendor. "The Nave, Ripon Minster" is more than just a photograph; it is a visual representation of Britain's rich cultural heritage and its enduring connection with Christianity. Through this timeless piece captured by an unknown artist over a century ago, we can appreciate both the craftsmanship behind such magnificent structures

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