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Premium Framed Print : Memorial in St. Pauls Churchyard of the Cross Destroyed By The Roundheads, c1935

Memorial in St. Pauls Churchyard of the Cross Destroyed By The Roundheads, c1935



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Memorial in St. Pauls Churchyard of the Cross Destroyed By The Roundheads, c1935

Memorial in St. Pauls Churchyard of the Cross Destroyed By The Roundheads, c1935. St Pauls Cross was a preaching cross and open-air pulpit in the grounds of Old St Pauls Cathedral in London. The cross and pulpit were destroyed by Puritans in 1643 during the First English Civil War. The spot was marked by a monument erected between 1908 and 1910, consisting of a Doric column of Portland stone designed by Sir Reginald Blomfield, with a statue of St Paul by Sir Bertram Mackennal. From " Wonderful London, Volume 1", edited by Arthur St John Adcock. [The Fleetway House, London, c1935]

Heritage Images features heritage image collections

Media ID 18323062

© The Print Collector/Heritage Images

Adcock Arthur St John Arthur St John Adcock Blomfield Civil War Cross Crosses Donald Donald Mcleish English Civil War English Civil Wars First English Civil War John Adcock Mcleish Memorial Monument Reginald Reginald Blomfield Sir Reginald Blomfield St Paul St Pauls Cathedral Wonderful London


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 19.5cm x 24.4cm (7.7" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > R > Roundhead

> Architecture > Cathedrals

> Architecture > Country > England

> Architecture > Memorials

> Architecture > Religious

> Arts > Artists > A > Reginald Arthur

> Arts > Artists > W > John White

> Europe > United Kingdom > England > London > Art > Venues > St Pauls Church

> Europe > United Kingdom > England > London > Sights > St Pauls Cathedral

> Historic > Medieval architecture > Cathedrals and churches > Church history


EDITORS COMMENTS
This print captures the solemnity of the Memorial in St. Pauls Churchyard, commemorating the destruction of St. Pauls Cross by the Roundheads during the First English Civil War in 1643. The image showcases a Doric column made of Portland stone, designed by Sir Reginald Blomfield, standing tall against the backdrop of Old St Pauls Cathedral in London. The monument, erected between 1908 and 1910, serves as a poignant reminder of a significant event in British history. Atop the column stands a statue of St. Paul created by Sir Bertram Mackennal, adding an artistic touch to this architectural marvel. As we gaze upon this monochrome photograph from "Wonderful London" edited by Arthur St John Adcock, we are transported back to an era when religion played a central role in society. The image evokes feelings of reverence and reflection as we contemplate both the physical destruction caused by war and the enduring spirit of faith that perseveres through such trials. This snapshot invites us to ponder not only on historical events but also on our own relationship with spirituality and heritage. It reminds us that even amidst turmoil and conflict, symbols like crosses can hold deep meaning for individuals and communities alike. In capturing this moment frozen in time, photographer Donald McLeish skillfully conveys both architectural grandeur and emotional resonance—a testament to his artistry as well as his dedication to preserving cultural heritage through photography.

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