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Premium Framed Print : Lucy Harrington, Countess of Bedford, c1610, (1904). Artist: Isaac Oliver I

Lucy Harrington, Countess of Bedford, c1610, (1904). Artist: Isaac Oliver I



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Lucy Harrington, Countess of Bedford, c1610, (1904). Artist: Isaac Oliver I

Lucy Harrington, Countess of Bedford, c1610, (1904). Lucy Russell, Countess of Bedford (nee Harington) (1580-1627) was a major aristocratic patron of the arts and literature in the Elizabethan and Jacobean eras, the primary non-royal performer in contemporary court masques, a letter-writer, and a poet. From James I. and VI, by T. F. Henderson. [Goupil & Co. Paris, Edinburgh, New York, London, 1904]

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Media ID 14990060

© The Print Collector

Border Countess Countess Of Bedford Distrust Distrustful Goupil And Co Goupil Co Henderson Isaac Isaac I Isaac Oliver Isaac Oliver I James I James Vi James Vi Of Scotland King James I King James Vi Of Scotland King Of England Lucy Oliver Patron Patron Of The Arts Russell Suspicion Suspicious Tf Henderson Veil Aristocrat Lucy Russell


31"x27" (79x69cm) Premium Frame

FSC real wood frame with double mounted 24x20 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 31x27 inches (787x685mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 59.9cm x 59.6cm (23.6" x 23.5")

Estimated Product Size is 78.7cm x 68.5cm (31" x 27")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Arts > Artists > O > Isaac Oliver

> Arts > Authors

> Arts > Contemporary art > Portraits

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> Arts > Still life artwork > Contemporary artwork > Portraits

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Contemporary art

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Modern art pieces > Contemporary art > Portraits


EDITORS COMMENTS
This print showcases Lucy Harrington, Countess of Bedford, in a stunning portrait from around 1610. Lucy Russell, born as Lucy Harington in 1580 and passing away in 1627, was an influential figure during the Elizabethan and Jacobean eras. She held a prominent position as an aristocratic patron of the arts and literature, making her mark as a non-royal performer in court masques while also excelling as a letter-writer and poet. The image captures Lucy's elegance and grace, with her veiled head adorned by intricate decorative elements. Her direct gaze reflects both confidence and suspicion, hinting at the complexities of her role within British society at that time. The monochrome black-and-white composition adds to the timeless quality of this portrait. Lucy's significance is further emphasized by her connection to King James I (also known as James VI of Scotland). As depicted in T. F. Henderson's book "James I. and VI" she enjoyed close ties with royalty while maintaining her own individuality as an accomplished writer and supporter of the arts. This print serves not only as a beautiful piece of art but also as a reminder of Lucy Harrington's lasting impact on British culture during the sixteenth and seventeenth centuries.

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