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Premium Framed Print : Letter from William Cecil to Sir Christopher Hatton, 12th September 1586. Artist: Sir William Cecil, 1st Baron Burghley
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Letter from William Cecil to Sir Christopher Hatton, 12th September 1586. Artist: Sir William Cecil, 1st Baron Burghley
Letter from William Cecil to Sir Christopher Hatton, Vice Chamberlain, 12th September 1586. Letter from Sir William Cecil, 1st Baron Burghley, as one of the Commissioners appointed for the trial of Anthony Babington and his fellow conspiritors (13 and 14th September), conveying Queen Elizabeth Is commands that no violent language be used against Mary Queen of Scots at the trial and that a special clause be added to the judgement. From the second series of Facsimiles of royal, historical, literary and other autographs in the Department of Manuscripts, British Museum: Series I-V. (London, 1899)
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Media ID 14910442
© The Print Collector / Heritage-Images
1st Baron 1st Baron Burghley Anthony Babington Burghley Cecil Christopher Commissioner Conspiracy Correspondence Elizabethan Facsimile Letter Lord Burghley Plot Signature Sir Christopher Sir William Sir William Cecil William Cecil William Cecil Burghley Christopher Hatton Hatton Print Collector3 Sir Christopher Hatton
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 17.2cm x 24.4cm (6.8" x 9.6")
Estimated Product Size is 38.1cm x 43.1cm (15" x 17")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a significant historical artifact, the "Letter from William Cecil to Sir Christopher Hatton, 12th September 1586". Created by Sir William Cecil, 1st Baron Burghley, this letter holds immense importance as it conveys Queen Elizabeth I's commands regarding the trial of Anthony Babington and his fellow conspirators. The letter emphasizes that no violent language should be used against Mary Queen of Scots during the trial and suggests adding a special clause to the judgment. The image showcases the exquisite craftsmanship of this handwritten manuscript in vibrant colors. Its intricate details highlight both its historical significance and artistic beauty. This piece serves as a testament to the elaborate correspondence prevalent during the Elizabethan era. Within this context, we witness an intriguing plot unfolding – known as the Babington Plot – with various key figures involved. The print sheds light on their roles and occupations: Sir Christopher Hatton serving as Vice Chamberlain, Sir William Cecil fulfilling his duties as one of the Commissioners appointed for the trial, and Anthony Babington himself at center stage. As we delve into this sixteenth-century masterpiece curated by The Print Collector3 in collaboration with Heritage Images, we are transported back in time to witness an important chapter in history through colorfully preserved handwriting. It is truly a remarkable visual representation that encapsulates both political intrigue and artistic brilliance within its frame.
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