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Premium Framed Print : Letter from Robert Harley, Earl of Oxford, to the future King George I, c1711. Artist: Robert Harley, Earl of Oxford
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Letter from Robert Harley, Earl of Oxford, to the future King George I, c1711. Artist: Robert Harley, Earl of Oxford
Letter from Robert Harley, Earl of Oxford, to the future King George I, c1711. Letter from Harley to George Louis, Elector of Hanover (who became King George I in 1714), announcing, on behalf of Queen Anne, the dismissal of the Duchess of Marlborough from her service as Mistress of the Robes and protesting his fidelity and inviolable attachment to the House of Hanover. The letter was written when Harley was Chancellor of the Exchequer and head of the Ministry. He was raised to the peerage and appointed Lord High Treasurer in the following May. From the third series of Facsimiles of royal, historical, literary and other autographs in the Department of Manuscripts, British Museum: Series I-V, (London, 1899)
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Media ID 14910556
© The Print Collector / Heritage-Images
Anne Anne Of Anne Of Denmark Chancellor Of The Exchequer Correspondence Courtier Duke Of Brunswick Luneburg Earl Of Earl Of Oxford Facsimile George I George I Louis Hanover Harley King George I Of Great Britain King Of Great Britain Letter Loyalty Oxford Queen Anne Queen Of Great Britain And Ireland Robert Harley Signature Print Collector3
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 24cm (15.6" x 9.4")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures a significant moment in history, showcasing the letter from Robert Harley, Earl of Oxford, to the future King George I. Dated around 1711, this handwritten letter holds immense political and personal importance. In it, Harley announces on behalf of Queen Anne the dismissal of Sarah Churchill, Duchess of Marlborough from her role as Mistress of the Robes. The letter also serves as a testament to Harley's unwavering loyalty and attachment to the House of Hanover. The intricate details showcased in this facsimile highlight not only its historical significance but also its artistic value. The vibrant colors bring life to the page while emphasizing the grandeur and elegance associated with royal correspondence during that era. As we delve into this piece, we are transported back to 18th-century England—a time when politics intertwined with courtly affairs. This photograph allows us a glimpse into an intimate exchange between two influential figures: Robert Harley and George Louis, Elector of Hanover (who would later become King George I). Through this image, we witness how power dynamics played out within royal circles—how alliances were forged or broken through carefully crafted letters such as these. It is a visual reminder that even amidst grand ceremonies and lavish courts, behind closed doors lay complex relationships driven by ambition and loyalty. This print serves as both a historical artifact and an exquisite work of art—an embodiment of centuries-old politics preserved for generations to come.
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