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Premium Framed Print : The International Exhibition: decoration, in the Furniture Court, by John G. Crace... 1862. Creator: Unknown

The International Exhibition: decoration, in the Furniture Court, by John G. Crace... 1862. Creator: Unknown



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The International Exhibition: decoration, in the Furniture Court, by John G. Crace... 1862. Creator: Unknown

The International Exhibition: decoration, in the Furniture Court, by John G. Crace - from a photograph by the London Stereoscopic Company, 1862. This decorative arrangement is formed into three portions (of which the central is the widest) by four pilasters, which bear the richest portion of the decoration; the upper part of the central section is occupied by an arch filled with ornamental griffins, and a shield bearing the initials of its producer, and the upper portions of the side compartments with panels, in the centre of which arc pictorial medallions. In style this decoration is French Renaissance...The ornament of the pilasters is in the richest colours, and is wrought upon a toothed gold ground. In the central columns boys are introduced, and in the side pilasters urns of flowers. The capitals are gold, and the bases imitations of rich marbles and bronze. This decoration is, unquestionably, gorgeous, yet it is not obtrusive. It is harmonious and well composed, and stands rather with the aspect of conscious worth than gaudy showiness'. From "Illustrated London News", 1862

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Media ID 35125367

© The Print Collector/Heritage Images

1862 International Exhibition Cultural Event Exposition Great London Exposition International Exhibition Of 1862 London Stereoscopic And Photographic Co London Stereoscopic Co London Stereoscopic Company London Stereoscopic Photo Co London Stereoscopic Photographic Co Ornament Ornaments Ornate Pilaster The London Stereoscopic Co Trade Fair World Fair Worlds Fair


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 17.1cm (9.6" x 6.7")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Black Bear

> Architecture > Country > France

> Architecture > Ornamental

> Architecture > Related Images

> Architecture > Styles > International Architecture

> Arts > Art Movements > Renaissance Art

> Arts > Artists > W > John White

> Europe > United Kingdom > England > London > Towns > Welling

> Historic > Renaissance art

> Renaissance art


EDITORS COMMENTS
This photograph, titled "The International Exhibition: decoration, in the Furniture Court, by John G. Crace," showcases an exquisite decorative arrangement from the 1862 International Exhibition, as captured by the London Stereoscopic Company. The decoration is located in the Furniture Court, and was designed by the renowned English architect and decorator, John G. Crace. The decorative scheme is divided into three sections, with the central one being the widest. Each section is supported by four pilasters, which bear the most elaborate decoration. The upper part of the central section features an arch filled with ornamental griffins and a shield bearing the initials of its producer. The upper portions of the side compartments are adorned with panels, each containing a pictorial medallion. The style of this decoration is reminiscent of the French Renaissance, with the ornamentation in the richest colors wrought upon a toothed gold ground. Boys are depicted in the central columns, and urns of flowers are featured in the side pilasters. The capitals are gold, and the bases are imitations of rich marbles and bronze. Despite its grandeur, this decoration is not ostentatious. It is harmonious and well-composed, exuding a sense of conscious worth rather than gaudy showiness. The photograph offers a glimpse into the opulence and artistic sophistication of the International Exhibition, leaving us in awe of the intricate details and the masterful craftsmanship of John G. Crace.

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