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Premium Framed Print : Ceiling paintings in the tomb of Huy at Kurnet Murai, Thebes, Egypt, (1928). Creator: Unknown
Framed Photos from Heritage Images
Ceiling paintings in the tomb of Huy at Kurnet Murai, Thebes, Egypt, (1928). Creator: Unknown
Ceiling paintings in the tomb of Huy at Kurnet Murai, Thebes, Egypt, (1928). 1350 B.C...Huy was viceroy of Ethiopia under Tutankhamun (1358-1350 B.C.). After Gustave Jequier. Plate XII, fig 35, from " An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. [Ernst Wasmuth Ltd. Berlin, 1928]
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Media ID 19668141
© The Print Collector/Heritage Images
14th Century Bc Archaeological Bossert Bossert Hellmut Theodor Bossert Helmuth Bossert Helmuth Theodor Ceiling Encyclopaedia Of Colour Decoration Ernst Ernst Wasmuth Ltd Ernst Wasmuth Verlag Gustave Gustave Jequier Hellmut Theodor Hellmut Theodor Bossert Helmuth Helmuth Bossert Helmuth Theodor Helmuth Theodor Bossert Jequier Jequier Gustave Mausoleum Thebes Wasmuth Ltd Wasmuth Ltd Ernst Wasmuth Verlag Wasmuth Verlag Ernst Ancient Egyptian Mizraim
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 25.1cm (15.6" x 9.9")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the mesmerizing ceiling paintings in the tomb of Huy at Kurnet Murai, Thebes, Egypt. Dating back to 1350 B. C. , these ancient Egyptian artworks have been beautifully preserved throughout centuries. Huy, who served as viceroy of Ethiopia under Tutankhamun during the 14th century B. C. , left behind a legacy that is now immortalized within this burial site. The intricate patterns and decorative designs adorning the ceiling are a testament to the incredible artistic skills possessed by ancient Egyptians. The photograph was taken in 1928 by an unknown creator, capturing every detail with precision and clarity. It was later featured in "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" accompanied by explanatory text written by Helmuth Bossert. The image transports us back in time, allowing us to marvel at both the architectural features and interior decoration found within this mausoleum. The play between light and shadow adds depth and dimension to each brushstroke on display. As we gaze upon this remarkable piece of history, we are reminded of Egypt's rich cultural heritage and its enduring impact on art and design. This photograph serves as a window into a world long gone but forever etched into our collective memory.
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