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Premium Framed Print : The Banderpunch mountains, India, 1895. Artist: Charles Barbant

The Banderpunch mountains, India, 1895. Artist: Charles Barbant



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The Banderpunch mountains, India, 1895. Artist: Charles Barbant

The Banderpunch mountains, India, 1895. As seen from Barsu. From The Universal Geography with Illustrations and Maps, division XVI, written by Elisee Reclus and published by Virtue & Co. Limited (London, 1895)

Heritage Images features heritage image collections

Media ID 14941061

© The Print Collector / Heritage-Images

Barbant C Barbant Charles Barbant Elisee Elisee Reclus Mountain Range Mountainous Reclus Hindoostan Print Collector7


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 39.6cm x 26.3cm (15.6" x 10.4")

Estimated Product Size is 58.4cm x 48.2cm (23" x 19")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > Charles Barbant

> Arts > Artists > Related Images

> Arts > Artists > W > Charles White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Asia > India > Maps

> Asia > India > Related Images

> Asia > Related Images

> Maps and Charts > India

> Maps and Charts > Related Images


EDITORS COMMENTS
This print transports us back to the enchanting Banderpunch mountains in India, circa 1895. The artist, Charles Barbant, skillfully captures the majestic beauty of this Asian mountain range as seen from Barsu. Published in "The Universal Geography with Illustrations and Maps" written by Elisee Reclus and published by Virtue & Co. Limited in London, this engraving showcases the breathtaking nature that adorned Hindoostan during the 19th century. The monochrome composition allows us to appreciate every intricate detail of these towering peaks against a backdrop of serene skies. As our eyes wander through the image, we are reminded of India's rich geographical features and diverse landscapes. Barbant's artistic prowess shines through as he expertly depicts the grandeur and magnitude of these mountains. Each line etched on paper tells a story of resilience and timelessness that has shaped this country for centuries. As we gaze upon this historical masterpiece, we are transported to an era where exploration was at its peak. We can almost feel the crisp mountain air brushing against our faces as we stand alongside those who first laid eyes on this awe-inspiring sight. This print is not just a visual representation; it is a portal into history itself – an homage to both Charles Barbant's creative genius and Elisee Reclus' dedication to documenting our world's wonders. It serves as a reminder that even amidst rapid modernization, there will always be natural marvels

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