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Premium Framed Print : SHELLS, 1776. Page from Thomas Jeffersons copy of Elements of Conchology, by Emanuel Mendes da Costa, 1776. Shells are identified as follows: 1)The Furbelow 2)Grimace 3)The Tiara or Papal Crown 4)Crane 5)Thorny Woodcock 6)Joppa Whelk 7)Needle 8)Tun 9)Melon Tun 10)Helmet

SHELLS, 1776. Page from Thomas Jeffersons copy of Elements of Conchology, by Emanuel Mendes da Costa, 1776. Shells are identified as follows: 1)The Furbelow 2)Grimace 3)The Tiara or Papal Crown 4)Crane 5)Thorny Woodcock 6)Joppa Whelk 7)Needle 8)Tun 9)Melon Tun 10)Helmet



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SHELLS, 1776. Page from Thomas Jeffersons copy of Elements of Conchology, by Emanuel Mendes da Costa, 1776. Shells are identified as follows: 1)The Furbelow 2)Grimace 3)The Tiara or Papal Crown 4)Crane 5)Thorny Woodcock 6)Joppa Whelk 7)Needle 8)Tun 9)Melon Tun 10)Helmet

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7563631

1776 Conch Element Emanuel Jefferson Oceanography Page Science Shell Conchology Costa Mend Mendes


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 19.6cm (9.6" x 7.7")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This print showcases a page from Thomas Jefferson's personal copy of "Elements of Conchology" by Emanuel Mendes da Costa, dating back to 1776. The intricate engravings depict various shells, each identified with fascinating names that add an air of whimsy and intrigue to the image. From left to right, we are introduced to an array of unique shells: 1) The Furbelow, adorned with delicate frills; 2) Grimace, evoking a mysterious expression; 3) The Tiara or Papal Crown, reminiscent of regal headwear; 4) Crane, resembling the elegant bird in its form; 5) Thorny Woodcock, boasting spiky protrusions; 6) Joppa Whelk, named after its place of origin; 7) Needle, slender and sharp like its namesake tool; 8) Tun and Melon Tun - two shell varieties akin to barrels used for storage purposes; and finally, the majestic Helmet. This remarkable engraving not only captures the beauty and diversity found within our oceans but also offers insight into early scientific exploration during America's founding era. It is a testament to Thomas Jefferson's intellectual curiosity as he delved into fields beyond politics. The Granger Collection has preserved this historical gem as part of their Carousel Collection—an invaluable resource for those passionate about late science and oceanography. This print serves as a reminder that art can be both visually stunning and intellectually

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