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Premium Framed Print : FOXEs BOOK OF MARTYRS. The beheading of Henry Grey, Duke of Suffolk, father of Lady Jane Grey, 21 February 1554. Line engraving from a late 18th century English edition of John Foxes The Book of Martyrs, first published in 1563

FOXEs BOOK OF MARTYRS. The beheading of Henry Grey, Duke of Suffolk, father of Lady Jane Grey, 21 February 1554. Line engraving from a late 18th century English edition of John Foxes The Book of Martyrs, first published in 1563



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FOXEs BOOK OF MARTYRS. The beheading of Henry Grey, Duke of Suffolk, father of Lady Jane Grey, 21 February 1554. Line engraving from a late 18th century English edition of John Foxes The Book of Martyrs, first published in 1563

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7522801

1554 Behead Book Of Martyrs Catholic Death Duke Executioner Father Foxe Gray Henri Heretic Jane Lord Martyr Noble Man Protestant Public Scaffold Spectator Suffolk Tower Tower Hill Violence


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.7cm x 39.6cm (10.1" x 15.6")

Estimated Product Size is 48.2cm x 58.4cm (19" x 23")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print captures a significant moment in history, depicting the beheading of Henry Grey, Duke of Suffolk, father of Lady Jane Grey. The scene is set on 21st February 1554 and is portrayed through a detailed line engraving from a late 18th-century English edition of John Foxe's renowned work, "The Book of Martyrs". The image showcases the solemnity and brutality surrounding this event during the Renaissance period. Standing tall on Tower Hill, we witness the towering figure of Henry Grey facing his fate with unwavering courage. The executioner holds an axe poised to strike as spectators gather around to witness this public display. Intriguingly, this historical moment reflects the religious tensions prevalent at that time. As a Protestant martyr, Henry Grey's execution was seen as an act against Catholicism by those who deemed him a heretic. This visual representation serves as both documentation and commentary on the violence inflicted upon individuals due to their beliefs. As we delve into this powerful image from Granger Art on Demand's collection, it becomes apparent how it encapsulates not only one man's tragic end but also echoes broader themes such as power struggles within noble families and societal divisions based on religious affiliations. Through its intricate details and evocative composition, this print invites us to reflect upon our shared human history while reminding us of the consequences that arise when intolerance prevails over understanding and compassion.

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