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The Magnificent Collection

"The Magnificent

Background imageThe Magnificent Collection: Title page from La Terrible et Merveilleuse Vie de Robert le Diable

Title page from La Terrible et Merveilleuse Vie de Robert le Diable
XIR164703 Title page from La Terrible et Merveilleuse Vie de Robert le Diable, published by Claude Blihart in 1563 (engraving) (b/w photo) by French School, (16th century); Bibliotheque Nationale

Background imageThe Magnificent Collection: Laurent le Magnifique, Fac-simile d un Portrait de Luc Vostermans

Laurent le Magnifique, Fac-simile d un Portrait de Luc Vostermans, epreuve du British Museum (engraving)
5199624 Laurent le Magnifique, Fac-simile d un Portrait de Luc Vostermans, epreuve du British Museum (engraving) by Italian School

Background imageThe Magnificent Collection: Tomb of Lorenzo de Medici (1449-92) 1520-34 (marble)

Tomb of Lorenzo de Medici (1449-92) 1520-34 (marble)
ALG155467 Tomb of Lorenzo de Medici (1449-92) 1520-34 (marble) by Buonarroti, Michelangelo (1475-1564); New Sacristy, San Lorenzo, Florence, Italy; Italian, out of copyright

Background imageThe Magnificent Collection: The Conquest of Belgrade by Sultan Suleyman I (1495-1566)

The Conquest of Belgrade by Sultan Suleyman I (1495-1566)
TPG178697 The Conquest of Belgrade by Sultan Suleyman I (1495-1566), from the Suleymanname (Mss Hazine. 1517 f.959r), 1558 (ink & gold leaf on vellum) by Ali Amir Beg (fl)

Background imageThe Magnificent Collection: Medaille de Laurent le Magnifique (engraving)

Medaille de Laurent le Magnifique (engraving)
2787409 Medaille de Laurent le Magnifique (engraving) by French School, (19th century); Private Collection; (add.info.: Medaille de Laurent le Magnifique)

Background imageThe Magnificent Collection: Ismail Pasha (1830-95) and Attendants (b / w photo)

Ismail Pasha (1830-95) and Attendants (b / w photo)
NAM261041 Ismail Pasha (1830-95) and Attendants (b/w photo) by Fenton, Roger (1819-69); National Army Museum, London; eNational Army Museum; English, out of copyright

Background imageThe Magnificent Collection: MS Hazine 1563 fol. 47b Suleyman I (1495-1566) as a Young Man, from Semailname

MS Hazine 1563 fol. 47b Suleyman I (1495-1566) as a Young Man, from Semailname
TPG178298 MS Hazine 1563 fol.47b Suleyman I (1495-1566) as a Young Man, from Semailname, 1579 (ink and gold leaf on paper) by Nakkas Osman (fl.1579); Topkapi Palace Museum, Istanbul, Turkey; Turkish

Background imageThe Magnificent Collection: The Sultan Suleyman I (1495-1566) arriving at the fortress of Bogurdelen

The Sultan Suleyman I (1495-1566) arriving at the fortress of Bogurdelen
TPG178698 The Sultan Suleyman I (1495-1566) arriving at the fortress of Bogurdelen, from the Suleymanname (Mss Hazine. 1517 f.81r), 1558 (ink & gold leaf on vellum) by Ali Amir Beg (fl)

Background imageThe Magnificent Collection: Medaillon de Laurent de Medicis (engraving)

Medaillon de Laurent de Medicis (engraving)
2787405 Medaillon de Laurent de Medicis (engraving) by French School, (19th century); Private Collection; (add.info.: Medaillon de Laurent de Medicis)

Background imageThe Magnificent Collection: Lorenzo Medici, Detail of St. Francis receiving the Rule of the Order from Pope Honorius

Lorenzo Medici, Detail of St. Francis receiving the Rule of the Order from Pope Honorius
XAL209283 Lorenzo Medici, Detail of St. Francis receiving the Rule of the Order from Pope Honorius, scene from the cycle of the Life of St

Background imageThe Magnificent Collection: Lorenzo de Medici (1449-92) surrounded by artists, admiring Michelangelos Faun

Lorenzo de Medici (1449-92) surrounded by artists, admiring Michelangelos Faun
XAL180103 Lorenzo de Medici (1449-92) surrounded by artists, admiring Michelangelos Faun (fresco) by Mannozzi, Giovanni (da San Giovanni) (1592-1636); Museo degli Argenti, Palazzo Pitti, Florence

Background imageThe Magnificent Collection: Detail of St. Francis receiving the Rule of the Order from Pope Honorius, scene

Detail of St. Francis receiving the Rule of the Order from Pope Honorius, scene
XAL176888 Detail of St. Francis receiving the Rule of the Order from Pope Honorius, scene from the cycle of the Life of St

Background imageThe Magnificent Collection: Ms 1971 Sultan Suleyman I (1495-1566) (gouache on paper)

Ms 1971 Sultan Suleyman I (1495-1566) (gouache on paper)
XIR210456 Ms 1971 Sultan Suleyman I (1495-1566) (gouache on paper) by Islamic School, (17th century); Museo Correr, Venice, Italy; out of copyright


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"The Magnificent: A Glimpse into the Extraordinary Life of Lorenzo de Medici" Step back in time and immerse yourself in the captivating world of "The Magnificent" - Lorenzo de Medici. This 150-captioned journey will transport you to an era filled with grandeur, artistry, and unparalleled influence. As we turn the pages of La Terrible et Merveilleuse Vie de Robert le Diable, a title page adorned with intricate illustrations sets the stage for this extraordinary tale. Laurent le Magnifique's facsimile portrait by Luc Vostermans, preserved at the British Museum, captures his regal presence and charisma that enchanted all who encountered him. A visit to Lorenzo's tomb reveals a masterpiece carved in marble - a testament to his enduring legacy. The Conquest of Belgrade by Sultan Suleyman I reminds us of Lorenzo's diplomatic prowess and far-reaching impact on international affairs. Delicate engravings depict medals honoring Laurent le Magnifique, showcasing his esteemed position as a patron of arts and culture. Ismail Pasha's black-and-white photograph showcases another influential figure who followed in Lorenzo's footsteps, leaving an indelible mark on history. In MS Hazine 1563 fol. 47b Suleyman I appears as a young man; this glimpse into his early years foreshadows the greatness he would achieve during his reign. Witnessing Sultan Suleyman I arriving at Bogurdelen fortress evokes admiration for both leaders' strategic brilliance. Medaillon de Laurent de Medicis engraving serves as yet another reminder of how deeply intertwined art was with Lorenzo's life. Detailing St. Francis receiving Pope Honorius' rule emphasizes not only religious devotion but also cultural enlightenment under Lorenzo's patronage. Surrounded by artists against frescoes depicting Plato and Michelangelo’s Faun sculpture, we witness firsthand how creativity thrived under Lorenzo's guidance.