Premium Framed Print : disused flourmill in north of France

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Framed Photos from Fine Art Storehouse

disused flourmill in north of France

Derelict Buildings, 844382744

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Olive

Media ID 14451969

© olive

23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 39.6cm x 26.4cm (15.6" x 10.4")

Estimated Product Size is 58.4cm x 48.2cm (23" x 19")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

EDITORS COMMENTS
In this print titled "Disused Flourmill in North of France". Olive from Fine Art Storehouse transports us to a forgotten era. The image captures the essence of abandonment and decay, as nature slowly reclaims what was once a bustling industrial site. The derelict flourmill stands tall against an overcast sky, its weathered walls telling stories of bygone days. Moss and ivy creep up the crumbling facade, intertwining with broken windows that now serve as frames for nature's artwork. The absence of human activity is palpable, leaving behind only whispers of the mill's former glory. As we gaze upon this haunting scene, our imagination takes flight. We envision workers bustling about inside these walls, their voices echoing through long-abandoned corridors. We can almost hear the rhythmic hum of machinery and smell the sweet aroma of freshly milled flour that once filled the air. Olive's masterful composition invites us to reflect on the impermanence of human endeavors and contemplate our own place within history's tapestry. Through her lens, she reminds us that even in neglect and decay lies beauty waiting to be discovered. This evocative print serves as a poignant reminder that time may erode structures but cannot erase their significance or allure. It beckons us to appreciate both the grandeur and fragility inherent in all things man-made—a testament to Olive's artistic vision captured within each brushstroke of light and shadow.

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