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Premium Framed Print : Tripoli in the 1860s, engraved by Charles Maurand (engraving)
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Tripoli in the 1860s, engraved by Charles Maurand (engraving)
KW102541 Tripoli in the 1860s, engraved by Charles Maurand (engraving) by French School, (19th century); Private Collection; Ken Welsh; French, out of copyright
Media ID 12696025
© www.bridgemanimages.com
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 26.7cm (15.6" x 10.5")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print transports us back to the enchanting city of Tripoli in the 1860s. Engraved by Charles Maurand, a skilled artist of his time, this exquisite piece captures the essence and allure of this Libyan gem. The French School's meticulous attention to detail is evident in every stroke, bringing alive the vibrant streets and bustling riverfront. As we gaze upon this masterpiece, our eyes are drawn to the picturesque town nestled along the tranquil riverbank. Its charming architecture reflects a blend of cultures that have left their mark on Tripoli throughout history. The minarets gracefully pierce through the sky, while colorful market stalls line narrow alleys filled with life and energy. Intriguingly, camels stand tall amidst a caravan passing through town - an emblematic sight that speaks volumes about Tripoli's rich heritage as a hub for trade and commerce. These majestic creatures symbolize both tradition and adventure; they evoke images of desert journeys undertaken by nomads from far-flung lands. This remarkable print not only showcases Tripoli's physical beauty but also invites us to imagine its vibrant past. It serves as a testament to how art can transcend time and space, allowing us glimpses into worlds long gone. Displayed here courtesy of Fine Art Finder via www. bridgemanimages. com, this evocative image reminds us of the importance of preserving cultural treasures like these for future generations to appreciate and learn from.
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