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Premium Framed Print : Personal adornment when received into the third degree of official membership cult, society (colour litho)

Personal adornment when received into the third degree of official membership cult, society (colour litho)



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Personal adornment when received into the third degree of official membership cult, society (colour litho)

980581 Personal adornment when received into the third degree of official membership cult, society (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Personal adornment when received into the third degree of official membership cult, society. Illustration for an article on The Sia by Matilda Coxe Stevenson. From the Eleventh Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1889-90 by J W Powell, Director (Washington, Government Printing Office, 1894).); Look and Learn / Elgar Collection

Media ID 23032056

© Look and Learn / Elgar Collection / Bridgeman Images

Adornment American Indian American Indians American Native Indians Anthropology Cult Cults Degree Engravings Ethnographic Ethnology Faces Facial Indigenous Initiation Member Members Membership North American Official Painted Peoples Personal Received Tribe Tribes Bodies


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 19.7cm (9.6" x 7.8")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Fine Art Finder > Schools > American School

> Fine Art Finder > Temp Classification

> Arts > Artists > I > Indian School Indian School

> Asia > India > Related Images

> North America > United States of America > Washington > Related Images


EDITORS COMMENTS
This print captures the moment of personal adornment during the initiation ceremony into the third degree of an official membership cult or society. The image, a color lithograph created by American School in the 19th century, showcases an American Indian individual receiving intricate facial decorations as part of their induction. The artwork is from a private collection and was originally featured in an article on The Sia by Matilda Coxe Stevenson. It appeared in the Eleventh Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution in 1889-90, directed by J. W. Powell and published by Government Printing Office in 1894. The illustration provides valuable insight into ethnographic studies and social practices among Native American tribes during this time period. It highlights both the significance placed on personal adornment within these cultures and offers a glimpse into their rich history. With its ornate designs painted onto tribal members' faces, this image represents not only indigenous traditions but also serves as a testament to cultural diversity within North America. Its inclusion within anthropological literature further emphasizes its importance as a historical artifact. This print from Bridgeman Images allows viewers to appreciate both the beauty and complexity found within different societies across America's vast landscapes throughout history.

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