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Premium Framed Print : The Queen, 1796-1807 (colour-printed in aquatint and mezzotint and finished by hand)

The Queen, 1796-1807 (colour-printed in aquatint and mezzotint and finished by hand)



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The Queen, 1796-1807 (colour-printed in aquatint and mezzotint and finished by hand)

986418 The Queen, 1796-1807 (colour-printed in aquatint and mezzotint and finished by hand) by Henderson, Peter Charles (fl.1799-d.1829) (after); 55.8x44 cm; Private Collection; (add.info.: The Queen. From New Illustration of the Sexual System of Carolus von Linnaeus... the Temple of Flora, or Garden of Nature, by Robert John Thornton (circa 1768-1837). After a painting by Peter Charles Henderson (fl.1799-d.1829). Colour-printed in aquatint and mezzotint and finished by hand. Published in London, circa 1796-1807. 55.8 x 44cm.); Photo © Christies Images; English, out of copyright

Media ID 25456478

© Christie's Images / Bridgeman Images

1790s 1796 1807 Aquatint Decorative Technique Etching Finished By Hand Grounds Hand Finished Henderson Late 18th Century Late Eighteenth Century Leafed Leafy Mezzotint Nobody Plant Part Printed Prints Thornton Artist British British Artist Robert John Thornton


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 17.9cm x 24.4cm (7" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Peter Charles (after) Henderson

> Fine Art Finder > Artists > Wolf Howling

> Fine Art Finder > Temp Classification

> Animals > Insects > Spiders > European Garden

> Arts > Artists > H > John Henderson

> Europe > United Kingdom > England > London > Art > Paintings


EDITORS COMMENTS
This print showcases "The Queen, 1796-1807" a stunning piece of art created by Peter Charles Henderson. The artwork is part of the New Illustration of the Sexual System of Carolus von Linnaeus and features in Robert John Thornton's "Temple of Flora, or Garden of Nature". Measuring 55.8x44 cm, this color-printed aquatint and mezzotint masterpiece was meticulously finished by hand. Its intricate details and vibrant colors bring to life the enchanting world of flora. The image depicts a queen orchid, beautifully illustrating Henderson's talent as an illustrator. Set against a leafy backdrop in an outdoor garden setting, the late eighteenth-century scene exudes tranquility and natural beauty. The close-up view allows us to appreciate every delicate petal and leaf with utmost clarity. The artist's skillful use of decorative techniques adds depth and dimension to this floral composition. Each element has been carefully engraved, resulting in a mesmerizing illustration that captures the essence of nature itself. Published in London between 1796-1807 during the height of botanical exploration, this print represents both scientific accuracy and artistic expression. It serves as a testament to British artistry during the eighteenth century. Bridgeman Images has masterfully captured this timeless work through their photography expertise while preserving its historical significance for all to admire. This print offers viewers an opportunity to immerse themselves in nature's splendor while appreciating the craftsmanship behind it.

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