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Premium Framed Print : The Garden at Ardilea, 1919 (oil on canvas)
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The Garden at Ardilea, 1919 (oil on canvas)
657296 The Garden at Ardilea, 1919 (oil on canvas) by Lavery, John (1856-1941); Private Collection; (add.info.: The Garden at Ardilea. Sir John Lavery (1856-1941). Oil on canvas. Signed and dated 1919. 24 1/2 x 30in.); Photo eChristies Images; Irish, out of copyright
Media ID 22397864
© Christie's Images / Bridgeman Images
022012upload 1919 20th Century Painting Artist Irish Away Behaviour Eire Excluded Female Garment Freetime Friend Friendly Friends Friendship Garden Feature Grass Green Colour Grounds High Society Human Like Human Likeness Ignoring Irish Artist Lavery Lawn Leisurely Loneliness Lonely Lonliness Medium Group Medium Group Of People Modern Traditional British Natural Light Negative Concept Plant Part Pond Recreational Relationship Representation Seating Shade Shaded Shadow Shadows Shady Shrub Shyness Sir John Lavery Social Event Social Gathering Socialising Socializing Summer Time Summertime Sunny Temperament Temperature Timid Trellis Warm Water Feature Apparel Ethnic Origin Flowerbed Headwear Natural Space
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 19.8cm (9.6" x 7.8")
Estimated Product Size is 43.1cm x 38.1cm (17" x 15")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Garden at Ardilea, 1919
EDITORS COMMENTS
is a captivating oil painting by Sir John Lavery that beautifully captures the essence of early twentieth-century Ireland. The scene depicts a lush green garden with a meticulously manicured lawn and vibrant flowerbeds, bathed in natural light. In the center of the composition, a group of elegantly dressed individuals can be seen engaged in conversation and leisurely enjoying their time outdoors. The artist's attention to detail is evident in every brushstroke, from the delicate floral patterns on the women's garments to the play of light and shadow across the scene. The warm colors and serene atmosphere evoke a sense of tranquility and relaxation. One cannot help but notice an air of shyness or perhaps loneliness emanating from one particular female figure standing slightly apart from the social gathering. Her posture suggests both reticence and curiosity as she observes her companions engaged in conversation. Lavery's masterful use of color, composition, and technique transports us back to this idyllic moment in time when high society would gather for leisurely afternoons amidst nature's beauty. "The Garden at Ardilea" serves as a testament to Lavery's skill as an Irish artist who expertly captured not only physical likeness but also human temperament within his works. This print allows viewers today to appreciate Lavery's artistry while providing insight into early 20th-century Irish culture and societal norms.
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