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Premium Framed Print : A Seizure, c. 1840 (litho) (b / w photo)

A Seizure, c. 1840 (litho) (b  /  w photo)



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A Seizure, c. 1840 (litho) (b / w photo)

CHT217761 A Seizure, c.1840 (litho) (b/w photo) by Grandville (Jean Ignace Isidore Gerard) (1803-47) (after); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; © Archives Charmet

Media ID 25469210

© Archives Charmet / Bridgeman Images

Bailiff Bailiffs Bottle Bottled Bottles Bottling Broom Brooms Chamberpot Cruel Cruelty Crying Despair Desperation Distress Distressed Dustpan And Brush Glasses Mattress Misery Mother And Child Plate Quill Saucepan Seizing Spectacles Toddler Toddlers Wretch Confiscation New Baby New Born New Born Babes New Born Infant Newborn Newly Born


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 20.3cm (9.6" x 8")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Grandville (1803-47) (after)

> Fine Art Finder > Artists > P. (after) Sellier

> Fine Art Finder > Cartoons, Caricatures & Humour

> Animals > Mammals > Cricetidae > Brush Mouse

> Arts > Artists > R > Jean Roller

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Paris > Museums > Musee Carnavalet

> Europe > France > Paris > Related Images


A Seizure, c. 1840 - A Glimpse into the Cruelty of Poverty

EDITORS COMMENTS
. This print titled "A Seizure, c. 1840" by Grandville (Jean Ignace Isidore Gerard) offers a poignant glimpse into the harsh realities faced by the poor in 19th-century Paris. The image, housed at Musee de la Ville de Paris, Musee Carnavalet, Paris, France, captures a scene of distress and desperation. In this satirical drawing turned lithograph, we witness an interior setting where a mother and her child are subjected to the cruelty of bailiffs seizing their belongings. The room is filled with symbols of poverty - from a worn-out mattress to a chamberpot and broom. The artist's attention to detail is evident as he includes ink rollers for lithographs and even spectacles on one character's face. The heart-wrenching sight of the crying baby adds another layer of anguish to this already scathing satire on societal inequality. Through his masterful engraving technique, Grandville conveys not only the physical confiscation but also the emotional turmoil experienced by those living in destitution. This thought-provoking artwork serves as a reminder that poverty knows no boundaries or time periods; it persists throughout history across different societies. It compels us to reflect on our own role in addressing social injustices and reminds us that compassion can make all the difference in alleviating human suffering. (Note:

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