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Premium Framed Print : Mahashri Tara and the Twenty-one Taras, 19th century (mineral pigments on sized cotton, with Chinese brocade mounts and metal roller knobs)
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Mahashri Tara and the Twenty-one Taras, 19th century (mineral pigments on sized cotton, with Chinese brocade mounts and metal roller knobs)
5930862 Mahashri Tara and the Twenty-one Taras, 19th century (mineral pigments on sized cotton, with Chinese brocade mounts and metal roller knobs) by Tibetan school, (19th century); 124.5x99.1 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: Mineral pigments on sized cotton, with Chinese brocade mounts and metal roller knobs, H x W (overall): 124.5 x 99.1 cm (49 x 39 in)
H x W (painting): 71.1 x 45.7 cm (28 x 18 in)
19th century); Freer Gallery of Art, Smithsonian Institution; The Alice S. Kandell Collection; Tibetan, out of copyright
Media ID 25196894
© Freer Gallery of Art, Smithsonian Institution The Alice S. Kandell Collection / Bridgeman Images
Alice S Kandell Collection Tara Thangka Tibet
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 18.1cm x 24.4cm (7.1" x 9.6")
Estimated Product Size is 38.1cm x 43.1cm (15" x 17")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite artwork of "Mahashri Tara and the Twenty-one Taras" a 19th-century masterpiece created by the Tibetan school. The painting, measuring an impressive 124.5x99.1 cm, is housed in the prestigious Freer Gallery of Art at the Smithsonian Institution in the USA. Using mineral pigments on sized cotton, this vibrant piece depicts Mahashri Tara surrounded by twenty-one other Taras, each representing different aspects of enlightened wisdom and compassion. The intricate details and rich colors bring these divine figures to life, evoking a sense of awe and reverence. The Chinese brocade mounts and metal roller knobs add an additional layer of elegance to this already magnificent artwork. These decorative elements not only enhance its visual appeal but also reflect the cultural influences that shaped Tibetan art during that period. Part of The Alice S. Kandell Collection, this thangka painting holds immense historical significance as it provides insights into Tibetan religious practices and beliefs from centuries ago. Its presence in a renowned institution like Freer Gallery ensures its preservation for generations to come. Through this print captured by Bridgeman Images, viewers can now appreciate the beauty and intricacy of this remarkable piece without being physically present at the gallery itself. It serves as a testament to human creativity and spirituality while inviting us to delve deeper into Tibet's artistic heritage.
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