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Premium Framed Print : Last Supper, detail of the altarpiece (painted wood)

Last Supper, detail of the altarpiece (painted wood)



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Last Supper, detail of the altarpiece (painted wood)

CLG346447 Last Supper, detail of the altarpiece (painted wood) by Norwegian School, (18th century); Giske Church, Giske, More og Romsdal, Norway; (add.info.: carved by local craftsman Tavle Jakob (Jacob D. Giskegaard); the church was originally built in the 12th century, refurbished in the 1750s; Cene; Dernier Repas; 12 apotres; apotre; vie du Christ; retable; bois peint; colore; Norvege; scandinave; autel; ); eClement Guillaume; Norwegian, out of copyright

Media ID 22947780

© Clement Guillaume / Bridgeman Images

Apostles Disciple Disciples Polychrome Polychromed Apostle Halo


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 17.4cm (9.6" x 6.9")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Norwegian School

> Fine Art Finder > Life Of Christ

> Arts > Artists > J > Jacob Jacobs

> Arts > Artists > M > Jacob More

> Arts > Sculpture

> Europe > Norway > Paintings

> Europe > Norway > Posters

> Europe > Norway > Related Images

> Europe > Norway > Sculptures

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Altarpieces

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Wooden sculptures

> Historic > Renaissance art > The Last Supper painting > Historic art


EDITORS COMMENTS
This print showcases a mesmerizing detail of the altarpiece, "Last Supper" painted on wood by the Norwegian School in the 18th century. Located in Giske Church, More og Romsdal, Norway, this masterpiece is an integral part of local history and culture. The intricate carving work was skillfully executed by Tavle Jakob (Jacob D. Giskegaard), a talented craftsman from the region. Originally constructed in the 12th century and later refurbished in the 1750s, Giske Church stands as a testament to architectural beauty and religious devotion. The altarpiece itself depicts the poignant moment of Jesus Christ sharing his last meal with his twelve apostles before his crucifixion. The polychrome wooden sculpture portrays each disciple with remarkable precision and attention to detail. Their expressions convey a range of emotions – from awe to contemplation – as they gather around a table filled with symbolic elements representing their faith. The vibrant colors used in this artwork add depth and intensity to its overall composition. With halos illuminating their heads, these apostles come alive through Clement Guillaume's lens, capturing not only their physical presence but also their spiritual significance. This print serves as both an homage to Norwegian craftsmanship and an invitation for viewers to delve into the rich narrative depicted within this extraordinary altarpiece.

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